Issue edited by Joseph Masheck. Essays "Mel Bochner: Getting from A to B," by Jeff Perrone; "Bodyworks and Porpoises," by Nicolas Calas; "Komar and Melamid and the Luxury of Style," by Marc Fields; "The Russianness of "Petrouchka," by Ann Farkas; "Inside Europe Outside Europe," by Jan van der Marck; "Taking the Long View," by Colin L. ... [details]
Issue edited by Joseph Masheck. Essays "Richard Nonas: Boundary Works," by Jonathan Crary; "Aspects of British Sculpture," by John McEwen; "From Cézanne to Picasso to Suprematism: The Russian Criticism," by Margaret Betz; "Alfred Jensen: Systems Mystagogue," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Naum Gabo, 1890-1977," by George Rickey; "Some Exercises in Slow Perception," by Kenneth Baker; "Issues in Pattern Painting," by John Perreault; "Richard Meier's Architecture of Purity and Possibility," by Lindsay Stamm Shapiro; "Symbolism and Modernity in Russia," by John E. ... [details]
Issue edited by John Coplans. Essays "Approaching the Decorative," by Jeff Perrone; "Alexis Smith: The Narrative Act," by Nancy Marmer; "Night Light: Brassai and Weegee," by Colin L. Westerbeck, Jr.; "The Size of Non-Size," by Douglas Davis; "Cézanne's 'Bather' and a Found Self-Portrait," by Diane Lesko; "Frank Stella's New Work: A Personal Note," by Budd Hopkins; "Book Review: The Cultural Contradictions of Capitalism," by Tim Yohn. ... [details]
Issue edited by John Coplans. Essays "Nadar and the Republic of Mind," by Max Kozloff; "How Others Live: Some Recent Photography Books," by Colin L. Westerbeck, Jr.: "The Anti-Photographers," by Nancy Foote; "The Directorial Mode: Notes Toward a Definition," By A. ... [details]
Issue edited by John Coplans. Essays "'Inside the White Cube: Notes on the Gallery Space, Part I," by Brian O'Doherty; "'Women of Photography': History and Taste," by Jeff Perrone; "An Art of the Object," by Oleg Grabar; "Islamic Art: The Met's Generous Embrace," by Amy Goldin; "Oldenburg's Mouse," by Phil Patton; "Infrastructures: The Films of Alain Robbe-Grillet," by Colin L. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Boxed reprint of the original periodical "Salon," a magazine with original contributions by contemporary artists. Published originally in 12 issues between April 1977 and October 1983. Edited by Gerhard Theewen. ... [details]
Exhibition catalogue published in conjunction with show "Haute Culture : General Idea. A Retrospective, 1969 - 1994," held at ARC / Musée d'Art moderne de la Ville de Paris, February 11 - April 30, 2011. ... [details]
Exhibition catalogue published in conjunction with show held at the Kunsthalle Bern, Switzerland, October 9 - November 10, 2009. "Between Nietzsche's "death of God" and the ascent of Buddhism in twentieth-century America and Europe, the idea of "void" has permeated Western art and culture, and the means by which artists and thinkers have dismantled conventions of reality and perception with acts of emptying, removing, destroying, or emphasizing nothingness, are numerous, as this massive survey testifies. ... [details]
