Exhibition announcement for show held March 15 - April 16, 1988. Text by Anne Rorimer in Dutch and French. Pages unfold into a poster featuring a still from film, "Box," by James Coleman. [details]
Exhibition catalogue issued after an exhibition of conceptual artist Michael Asher at the University of Chicago January 21 - March 4, 1990. Includes black-and-white images of his site-specific installations that offer a critique of art institutions by altering the existing environment. ... [details]
Exhibition catalogue published in conjunction with show held at Museum of Modern Art, Oxford, September 3 - October 1, 1978. Traveled to Renaissance Society at The University of Chicago, October 4 - November 8, 1981. ... [details]
Exhibition catalogue published in conjunction with show held November 7, 2007 - January 18, 2008. Essay by Ann Rorimer. Includes a biography of the artist. [details]
Exhibition catalogue published in conjunction with show held September 29, 2005 - January 1, 2006. "In a 1979 exhibition at the Art Institute of Chicago, American conceptual artist Michael Asher––known for his ''site-specific'' work that investigates the relationship between a piece of art and its place of display––relocated a 20th-century bronze cast of Jean-Antoine Houdon''s famous marble George Washington (1785–91) from the museum''s front steps to an interior gallery. ... [details]
Exhibition catalogue published in conjunction with show held October 15, 1995 - February 4, 1996. Texts by Ann Goldstein and Anne Rorimer, Lucy R. Lippard, Stephen Melville, Jeff Wall, Susan L. Jenkins. ... [details]
Exhibition catalogue / critical theory published to accompany exhibition of same title, show held at Art Gallery of Ontario, Toronto, April 2 - May 15, 1983. Traveled to Musee d'Art Contemporain, Montreal, September 15 - October 30, 1983 ; Glenbow Museum, Calgary, November 18, 1983 - January 7, 1984. ... [details]
"By the end of the 1960s, defiance of traditional art values reflected the demand for social, political and cultural transformation. This book provides the first detailed and authoritative account of artists and works that challenged received ideas about painting and sculpture by embracing alternative procedures and media. ... [details]
Large-scale exhibition catalogue published in conjunction with show held at the San Francisco Museum of Modern Art, February 19 - May 30, 2000. Traveled to the Museum of Contemporary Art, Chicago, July 22 - October 22, 2000 ; and Whitney Museum of American Art, November 30, 2000 - February 25, 2001. ... [details]
Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]