Exhibition catalogue published in conjunction with show held at the Cleveland Center for Contemporary Art, Ohio, February 11 - May 1, 1994; and the Snug Harbor Cultural Center, Staten Island, New York, February 26 - June 18, 1995. ... [details]
Exhibition catalogue published in conjunction with show held December 9, 2004 - March 19, 2005. Organized by Dan Cameron. Essays by Dan Cameron, Liza Kirwin, Alan W. Moore, Penny Arcade, Patti Astor, Julie Ault, Mitch Corber, Lydia Lunch, Carlo McCormick, Calvin Reid, Mark Russell, and Sur Rodney (Sur). ... [details]
Flyer with essay by Karen Finley, reprinted from Paper Magazine, September 1989, titled "It Was Only Art," in regards to the attacks on Mapplethorpe, Serrano, and Finley by the Bush / Quayle / Helms administration. [details]
Issue edited by Ida Panicelli. Essays "Troubleeshooters: C. Carr on Trying Times," by C. Carr; "Remote Control: Barbara Kruger on Courtroom Drama," by Barbara Kruger; "Democracy, Inc.: Our Beating Hearts, A Project for Artforum," by Karen Finley; "Undertone: Miriam Rosen on Ari," by Miriam Rosen; "Commedia Dell'Arte: The Art Deal, A Project for Artforum," by Lynda Barry; "Books: John Miller on 'Notes on the Underground,'" by John Miller; "Believe it or Not: J. ... [details]
Artist's book by Karen Finley within which she notes the benefits of living dysfunctionally. [details]
Postcard designed by Lawrence Weiner for concert featuring New Order, Certain General, Karen Finley, Frank Callari, Mark Kamins, Richard Sweret, and Walter Durkacz. Presented by The Rockpool Staff with Vito Bruno, Haoui Montaug, Frank Roccio, and Rudolph, in honor of Ruth Polsky. [details]
Sixteen cutting-edge performance artists discuss critical questions such as: how can you have a revolutionary feminism that encompasses wild sex, humor, beauty and spirituality plus radical politics? How can you have a powerful movement for social change that's inclusionary - not exclusionary? How is language based on dualisms (male/female, gay/straight, black/white, mind/body, personal/political) obstructing out visualization of a "better world"? [details]