Exhibition catalogue and series of letters to young women artists published in conjunction with the Feminist Art Festival at the California Institute of the Arts, Valencia, 1974. Edited by Miriam Schapiro, Sherry Brody, Molly Rhodes, and Lelia Amalfitano. ... [details]
Heresies issue on women and violence. Essays "Pink Victory," by Sharon Thompson; "The Vicki Tapes," by Martine Barrat; "August 2nd," by Lou McDonald; "With No Immediate Cause," by Ntozake Shange; "The Evolution of a Violent Act," by Paula Grey; "Politics of Rape in Primitive Society," by Paula Webster; "Dialogue with a Rapist," by Batya Weinbaum; "Dialogue with the Author," by Claire Pajaczkowska and Batya Weinbaum; "Codex Artaud XVII," by Nancy Spero; "Happy New Year: An Album of Violence (Excerpt)," by Stephanie Oursler; "The Pleasure Outing," by Anita Page; "The Violence of Power: The Genital Mutilation of Females," by Fran P. ... [details]
Issue edited by Ida Panicelli. Essays "Expertise: Neil Smith on Making M/other Nature," by Neil Smith; "The Cave: Greg Tate on 'Looking for Langston,'" by Greg Tate; "Books: Mira Schor on Remedios Varo," by Mira Schor; "Exits and Entrances: Peter Stellars on Opera," by Peter Stellars; "Troubleshooters: David Sternbach on the Trials of Men," by David Sternbach; "Special Effects: Carol Squiers on the New Racism," by Carol Squiers; "Lili Dujourie's Image and Afterimages," by Michael Tarantino; "We Eat We Are Eaten: A Project for Artforum," by David Byrne; "A Systematic Bewildering: The Art of John Baldessari," by Colin Gardner; "On Gérôme, Bouguereau, Ingres, and 'They Died with their Boots on: Notes from a Journal," by Sidney Tillim; "Stages of Strehler," by Maria Nadotti; "The Word Unspoken," by Pat Steir; "Critical Reflections," by Bice Curiger; "Narrative Art: Twelve Artists on the Year's Books," by Papo Colo, Jessica Diamond, Braco Dimitrijevic, Michele Oka Doner, Candida Höfer, Cristina Iglésias, Alfredo Jarr, Robert Kushner, Hirsch Perlman, Lucio Pozzi, Stephen Prina, Nancy Spero. ... [details]
Exhibition catalogue published in conjunction with show held at the Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, New York, March 27 - September 7, 1997. Introduction by Olivia Georgia. ... [details]
Issue edited by Ida Panicelli. Essays "Object," Alessandro Mendini on Design; "Like Art," Glenn O'Brien on Advertising; "Ground Up," Herbert Muschamp on Architecture; "Here, There & Otherwise," John Welchman on Elsewhere; "Curies' Children," Vilem Flusser on Discovery; "Between the Lines," Dan Cameron on Criticism; "Books," Melissa Harris on Dance and Photography; "Working Watteau," by Mike Glier; "Body Building," by Mario Pisani; "Vanishing Act: Philippe Thomas," by Claudia Hart; "Borrowed Shoes," Suzanne Bloom and Ed Hill; "Diffusions: A Project for Artforum," by Susan Rothenberg; "The History of X," by Mary Josephson; "Under the Singing Eucalyptus Tree. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave," Vera Dika on Film; "Exits and Entrance," Melissa Harris on Dancing in the Streets; "Special Effects," Carol Squiers on the News and Its Pictures; "Here There & Otherwise," John Welchman on Elsewhere; "Books," Max Wechsler on Sigmar Polke - Zeichnungen 1963 - 1969; "In Living Chaos: Joan Mitchell," by Bill Berkson; "Koudelka's Theater of Exile," by Max Kozloff; "Signs of the Cross," by Claudia Hart; "Fautrier: Through Paint, Alone," by Siegfried Gohr; "What Becomes of the Brokenhearted," by Maria Nadotti; "Venezia 23: Unter den Linden," by Alessandra Mammi; "The Four-Corners Game," by Daniel Soutif; "Said the Spider to the Fly," by Luciana Rogozinsky; "Dear Harry. ... [details]
Issue edited by Ida Panicelli. Essays "Believe it or Not: J. Hoberman on American Myths," by J. Hoberman; "At the Limits: Homi K. Bhabha on the Power of the Text," by Homi K. Bhabha; "Folio: Buzz Spector on John Baldessari's Tristram Shandy," by Buzz Spector; "Special Effects: Carol Squiers on the News and Its Pictures," by Carol Squiers; "What in the World: Andrew Solomon on the Art of Perestroika Part II," by Andrew Solomon; "Expertease: Bell Hooks on Cultural Interrogations," by Bell Hooks; "Added Attractions," by Patricia C. ... [details]
Issue edited by Ida Panicelli. Essays "Media Kids: Roselee Goldberg on 'Seasame Street,'" by Roselee Goldberg; "Special Effects: Carol Squiers on the Future of a Delusion," by Carol Squiers; "Expertease: Rosalyn Deutsche on Men in Space," by Rosalyn Deutsche; "Museum Piece: Francesco Dalco on Giulio Romano," by Francesco Dalco; "Undertone: Scott Gutterman on the Jazz Hero," by Scott Gutterman; "Exits and Entrances: Maria Nadotti on Robert Wilson's 'Orlando,'" by Maria Nadotti; "Language and Landscape: An Ontology for the Western," by Jane Tompkins; "To Marat: A Project for Artforum," by Rui Sanches; "Kiki Smith: Body and Soul," by Christopher Lyon; "Gerry Bergstein: A Self-Confessed Couch Potato," by Francine A. ... [details]
Issue edited by Ida Panicelli. Essays "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Exits and Entrances: Leonetta Bentivoglio on Pina Bausch's 'Palermo, Palermo,'" by Leonetta Bentivoglio; "Special Effects: Carol Squiers on Images from the Panamanian Invasion," by Carol Squiers; "The Cave: Jeanne Silverthorne on 'The Cook, The Thief, His Wife & Her Lover," by Jeanne Silverthorne; "Slant: Lynne Tillman on The Autobiography of Eve," by Lynne Tillman; "Critical Fictions: Rosetta Brooks on 'IPSODEFACTO,'" by Rosetta Brooks; "Untitled: A Project for Artforum," by David Salle; "Rites and Sites: Hans Hollein," by Germano Celant; "All Our Yesterdays," by Donald Kuspit; "After H. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleeshooters: C. Carr on Trying Times," by C. Carr; "Remote Control: Barbara Kruger on Courtroom Drama," by Barbara Kruger; "Democracy, Inc.: Our Beating Hearts, A Project for Artforum," by Karen Finley; "Undertone: Miriam Rosen on Ari," by Miriam Rosen; "Commedia Dell'Arte: The Art Deal, A Project for Artforum," by Lynda Barry; "Books: John Miller on 'Notes on the Underground,'" by John Miller; "Believe it or Not: J. ... [details]
