February 1972 issue of Hit Parader, edited by Patrick J. Masulli. Contents include: "The Scene;" "Hard Versus Soft Rock: An Opinion from Steppenwolf's John Kay;" "King Curtis: Saxman's Sound," an obituary; "Moody Blues;" "Traffic's Stevie;" "Fast Flashes;" "John Fogerty of Creedence;" "Ginger Baker;" "Jack Bruce: The Images are More Meaningful;" "John and Yoko," interview with John Lennon and Yoko Ono following the completion of his album "Imagine" including a full bleed centerfold portrait of the couple; "Backstage with Sly and the Family Stone," an interview with Sly; "Mike Nesmith," an interview; "Complete Song Index: Words to Your Favorite Hits;" "Arrivals: Ian Matthews;" "We Read Your Mail;" and "Albums in Review. ... [details]
Contents include "Pleasant Dreams, John & Yoko," and interview with John Lennon and Yoko Ono by Paul, Susan, Dick and Tamar; photograph of Gary Snyder; "Earth House Hold," by Keith Lampe; article by Jane Albert; "There's DDT in Your Fatty Tissues"; "On the Road. ... [details]
May 1970 issue of Studio International. Edited by Charles Harrison. Contents include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
Critical theory publication edited by Christian Rattemeyer. Texts by Wim Beeren, Charles Harrison, Harald Szeemann, Tommaso Trini, Claudia Di Lecce, Steven ten Thije. Introduction by Teresa Gleadowe. "Afterall Books' new Exhibition Histories series responds to an increased interest in exhibition history with its inaugural volume on two of the most famous exhibitions of the 1960s: Wim Beeren's 'Op Losse Schroeven' (Stedelijk Museum, 1969) and Harald Szeemann's 'Live in Your Head : When Attitudes Become Form' (Kunsthalle Berne, also 1969). ... [details]
![LAAIR [ aka : LA AIR ]](/objects/images/s36683.jpg "LAAIR [ aka : LA AIR ]")
Artist's book composed of color photographs illustrating various qualities of air in Southern California. Within the book Bruce Nauman presents eight full-page photo-reproductions of the atmosphere. Facsimile signature on verso -- don't let anybody tell you this publication is actually signed by Nauman. ... [details]
March 1969 issue of Ace : A Magazine for Men of Distinction, edited by Herman Petras. Contents include: "Why America's Called a Sexual Wilderness," by Ernest Welsh; "Kookie Kusama: Fun City's New Nude Goddess of Free Love," by John Stange; A Modern Man's Method of Making Out," by Ed Wilcox; "The Insatiable Sex Queen of Hell's Suburb," by Betty Riley; "Why That First Date Was a Scoreless Tie," by Jay Mennen; "Nicky Arnstein: The Truth About the Rogue Who Made 'Funny Girl' Cry," by Wm. ... [details]
Flyer promoting a march in favor of disarming the armed forces on Flower Power Day held on May 20, [1967]. Flyer design credited to NY WINSPRUNG. [details]
Flyer promoting a march in favor of disarming the armed forces on Flower Power Day held on May 20, [1967]. Flyer design credited to NY WINSPRUNG. [details]
Book of critical theory by Jean Baudrillard. Translated with an introduction by Mark Poster. Cover design by Suzanne Alt. "Mirror of Production" was THE book that everybody in the artworld had in their back pockets in the 1980s. ... [details]
Press release / letter "To the friends of the Gallery," by Howard Wise, published December 16, 1970 announcing the closure of Howard Wise Gallery following the closing of the exhibition "Three Sounds," by Howard Jones on December 19, 1970. ... [details]
