Exhibition catalogue published in conjunction with show held at The New York Cultural Center, May 19 - August 29, 1971. Includes artists' project by Gilbert & George titled "There Were Two Young Men Who Did Laugh. ... [details]
May 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Art and design education," by David Warren Pipe; "Correspondence;" "News and Notes;" "Art in Recession," by Jonathan Benthall; "Aquisition versus Exhibition / The British Avant Garde," by Donald Karshan; "Virgin soils and old land," by Charles Harrison; Artists projects by Bruce MacLean, Keith Arnatt, David Dye, David Tremlett, Roelof Louw, Sculptures by Barry Flanagan and Roelof Louw, Barry Flanagan, Gilbert & George, Gerald Newman, Sue Arrowsmith, Colin Crumplin, and Richard Long; "De Legibus Naturae," Terry Atkinson and Michael Baldwin; "Toward an understanding of the within," by Andrew Dipper; and "Rules of thumb," by Victor Burgin. ... [details]
Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. ... [details]
September 1974 issue of Studio International. Edited by Peter Townsend. Contents include: "Art Front," by Gerald M. Monroe; "The Hayward Biennale," Andrew Forge, Myles Murphy, Paul Huxley, John McEwen; "A Conversation with Henryk Stazewski," with Wieslaw Borowski; "Correspondence;" "The Origins of Modernism in England," by Charles Harrison; "Food as an Art Form," by Mary Douglas; "The mature portraitist: Richard Avedon," by Dore Ashton; "The Englishness of Caro," by Joseph Masheck; "Review. ... [details]
Exhibition catalogue published in conjunction with show held September 28 - October 27, 1969. Exhibition traveled to Institute of Contemporary Art, London, as variant of exhibition originally held at Kunsthalle Bern. ... [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
Issue edited by Charles Harrison. "Mistaken Identities," by Paul Wood; "On Conceptual Art and Painting and Speaking and Seeing: Three Corrected Transcripts, 1: The End(s) of End-Game Art, 2: The Utterance of Painting, 3. ... [details]
Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an introduction by, Seth Siegelaub. ... [details]
Collection of essays published in Flash Art Magazine from it's inception in 1969 to 1989. Edited by Giancarlo Politi and Helena Kontova. Essays by Giancarlo Politi, Helena Kontova, Germano Celant, Piero Gilardi, Robert Smithson, Jean Baudrillard , Donald Karshan, Charles Harrison, Agnes Martin, Ann Wilson, Rosetta Brooks, Barbara Radice, François Pluchart, Charles Dreyfus, Peter Gorsen, Douglas Crimp, Thomas Lawson, David Salle, Carrie Rickey, Achille Bonito Oliva, Jeffrey Deitch, Annelie Pohlen, Ernst Busche, Sherrie Levine, Paul Groot, Nicolas A. ... [details]
