Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
Exhibition catalogue published in conjunction with show held at The New York Cultural Center, May 19 - August 29, 1971. Includes artists' project by Gilbert & George titled "There Were Two Young Men Who Did Laugh. ... [details]
Issue edited by Charles Harrison. "Mistaken Identities," by Paul Wood; "On Conceptual Art and Painting and Speaking and Seeing: Three Corrected Transcripts, 1: The End(s) of End-Game Art, 2: The Utterance of Painting, 3. ... [details]
Conceptual catalogue for an exhibition that took place within the pages of Studio International, Vol. 180, No. 924 (July / August 1970). Introduction by Seth Siegelaub. Curated chapters by David Antin, Germano Celant, Michel Claura, Charles Harrison, Lucy R. ... [details]
Collection of essays published in Flash Art Magazine from it's inception in 1969 to 1989. Edited by Giancarlo Politi and Helena Kontova. Essays by Giancarlo Politi, Helena Kontova, Germano Celant, Piero Gilardi, Robert Smithson, Jean Baudrillard , Donald Karshan, Charles Harrison, Agnes Martin, Ann Wilson, Rosetta Brooks, Barbara Radice, François Pluchart, Charles Dreyfus, Peter Gorsen, Douglas Crimp, Thomas Lawson, David Salle, Carrie Rickey, Achille Bonito Oliva, Jeffrey Deitch, Annelie Pohlen, Ernst Busche, Sherrie Levine, Paul Groot, Nicolas A. ... [details]
Exhibition catalogue published in conjunction with show held at Kunsthalle Düsseldorf, Germany, December 14, 2003 – March 14, 2004. Traveled to the Casino Luxembourg - Forum d'art contemporain, March 27 – June 6, 2004; the Museu de Arte Contemporânea de Serralves, Porto, July 23 – October 3, 2004; the Musée d'Art moderne de la Ville de Paris, October 23 – November 28, 2004; the Norwich Gallery, Norwich School of Art and Design, January 12 - February 26, 2005; and to the Centro Andaluz de Arte Contemporáneo, Sevilla, April - June 2005. ... [details]
Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. ... [details]
Double sided poster / announcement published in conjunction with show held September 19, 26 and October 3, 10, 1976 at P.S.1 in Long Island City, Queens. The exhibition followed the seminal "Rooms" exhibition and included some of the installations that remained following the exhibition by the following artists: Jared Bark, Daniel Buren, Frank Gillette, Bruce Nauman, Max Neuhaus, Lucio Pozzi, Alan Saret, Richard Serra, Charles Simonds, Lawrence Weiner, Doug Wheeler, and others. ... [details]
May 1970 issue of Studio International. Edited by Charles Harrison. Essays include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
Exhibition catalogue in 2 volumes for show held at the Museum of Fine Arts, Boston, Massachusetts, 1971. First book includes an essay by David Antin, and biographies of the artists in the exhibition, as well as a selected bibliography. ... [details]
