Issue edited by Philip Leider. Essays "Looking at American Sculpture," by Barbara Rose; "John Cage in Los Angeles"; "An Interview with Edward Ruscha," by John Coplans; "Craig Kauffman," by Clair Wolfe; "Four Drawings," by Arshile Gorky; "Saint Andy," by Philip Leider. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Jasper Johns," by Walter Hopps; "Frank Stella," by Robert Rosenblum; "Mondrian at Santa Barbara," by John Coplans; "Calder at the Guggenheim," by Wayne V. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Allen Jones," by John Coplans; "Larry Poons," by Max Kozloff; "Optical Art at the Modern," by Barbara Rose; "Claes Oldenburg: 4 Drawings"; "The Visual Revolution of Structurist Art," by Charles Biederman; "The Commissioned Object," by Curt Opliger. ... [details]
Issue edited by Philip Leider. A Preview of the United States Section, Sao Paulo Bienal, 1965: "Introduction"; "Barnett Newman," by Lawrence Alloway; "Frank Stella," by Philip Leider; "Larry Bell," by John Coplans; "Donald Judd," by Barbara Rose; "Larry Poons," by John Coplans; "Billy Al Bengston," by John Coplans. ... [details]
Issue edited by Philip Leider. Essays "Lichtenstein, Oldenburg, Warhol: A Discussion," moderated by Bruce Glaser; "Deborah Remington's New Work," by Knute Stile; "Jugendstil," by Palmer French; "5 Los Angeles Sculptors," by John Coplans; "New Work," by Charles Mattox; "Four Drawings," by Ellsworth Kelly; "Notes on Sculpture," by Robert Morris. ... [details]
Issue edited by Philip Leider. Essays "The Graphic Work of Jasper Johns," by Barbara Rose; "The Bauhaus Show in Toronto," by Robert Welsh; "The Early Work of Andy Warhol," by John Coplans; "Color Painting and the Map Problem," by Walter Darby Bannard; "Alan Saret's Studio Exhibition," by Emily Wasserman; "A Robert Morris Retrospective in Detroit," by Jack Burnham. ... [details]
Issue edited by John Coplans. Essays "Dorothea Rockburne: A Note," by Mel Bochner; "Dorothea Rockburne: Works and Statements," edited by Robert Pincus-Witten; "Dorothea Rockburne: An Interview," by Jennifer Licht; "Reflections on the State of Criticism," by Leo Steinberg; "Larry Poons' New Paintings," by Michael Fried; "On Style: An Examination of Roy Lichtenstein's Development," by Lawrence Alloway; "'The Man with the Movie Camera': From Magician to Epistemologist," by Annette Michelson; "From the Notebooks of Dziga Vertov," translated by Marco Carynnyk; "Ed Moses: The Problem of Regionalism," by Peter Plagens. ... [details]
Issue edited by John Coplans. Essays "The Whitney Annual, Part I," by Carter Ratcliff; "The Films of Peter Kubelka," by Elena Pinto Simon; "Notes from Underground," by Kenneth Frampton; "Vito Acconci and the Conceptual Performance," by Robert Pincus-Witten; "Léger, Le Corbusier, and Purism," by Rosalind Krauss; "Epic Cubism and the Manufactured Object," by John Elderfield; "Video Obscura," by Douglas Davis; "A Note on Caro Influence: Five Sculptors from Bennington," by Joseph Masheck; "Michael Asher: The Thing of It Is. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part Two: The Realm of Language," by Lawrence Alloway; "Robert Smithson, the 'Amarillo Ramp,'" by John Coplans; "The Art Comics of Ad Reinhardt," by Thomas B. ... [details]
Issue edited by John Coplans. Essays "Just Another Rectangle Painter," by Peter Plagens; "Fooling the Eye," by Alfred Frankenstein; "Robert Grosvenor's Fractured Beams," by Joseph Masheck; "The Authoritarian Personality in Modern Art," by Max Kozloff; "Cecile Abish," by Lawrence Alloway; "Standish Lawder," by John W. ... [details]
