Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by Philip Leider. Essays "Allan Hacklin, David Diao, Donald Kaufman," by Emily Wasserman; "The Sculpture of Roland Brener," by Charles Harrison; "Recent Work by Kenneth Noland," by Michael Fried; "Hans Hoffmann," by Darby Bannard; "A Variety of Realisms," by Sidney Tillim; "The Earlier Work of Ellsworth Kelly," by John Coplans. ... [details]
Issue edited by Philip Leider. Essays "Helen Frankenthaler," by Barbara Rose; "The Essential David SMith, Part II," by Rosalind Krauss; "Willem de Kooning," by Walter Darby Bannard; "Notes on Sculpture, Part IV: Beyond Objects," by Robert Morris; "The Sculpture of Jules Olitski," by Kenworth Moffett; "Jack Burnham and Terry Fenton: An Exchange," "Caro in London," by Jane Harrison Cone. ... [details]
Issue edited by Philip Leider. Essays "Evaluations and Re-Evaluations," by Sidney Tillim; "Soutine and the Problem of Expressionism," by Hilton Kramer; "Romantic Painting in England," by Jerrold Lanes; "The Shape of the Art Environment," by Allan Kaprow; "Richard Van Buren, David Novros, Charles Ross," by Emily Wasserman; "New Paintings by Larry Poons," by Kermit Champa; "Greg Card and Mary Corse," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part II," by Albert Elsen; "Serial Imagery," by John Coplans; "Edward Hopper," by Jerrold Lanes; "John D. Graham," by Irving Sandler; "A Reconstituted Diary, Greece, 1967," by Lucas Samaras; "The Films of Jean-Luc Godard," by Manny Farber; "New Paintings by Darby Bannard," by Kermit Champa. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Martisse, Part I," by Albert Elsen; "Systems Esthetics," by Jack W. Burnham; "New Work by Robert Murray," by Jane Harrison Cone; "Douglas Wheeler: Light Paintings," by John Coplans; "Degas Monotypes at Harvard," by Jerrold Lanes; "A Sedimentation of the Mind: Earth Proprosals," by Robert Smithson; "Ideal interlude: The Salons de la Rose-Croix," by Robert Pincus-Witten; "Looking at Canadian Art," by Terry Fenton. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part III," by Albert Elsen; Billy Al Bengston Retrospective in Los Angeles," by James Monte; "New Deal Murals in New York," by Francis V. ... [details]
Issue edited by Philip Leider. Essays "Dada, Surrealism and their Heritage," "1. A Beautiful Exhibition," by Philip Leider; "2. The Surrealist Emigres in New York," by Irving Sandler; "3. Surrealist Composition: Surprise Syntax," by Ellen Mandelbaum; "Judd at the Whitney," by Jane Harrison Cone; "On Frontality," by Rosalind E. ... [details]
Issue edited by Philip Leider. Essays "Scale and the Future of Modernism," by Sidney Tillim; "The Sculpture of Duchamp-Villon," by Albert Elsen; "The Constructivist Ethos, Part II," by Ronald Hunt; "Abstract Illusionism," by Barbara Rose; "Problems of Criticism II: Complaints of an Art Critic," by Clement Greenberg; "Sculpture in Canada," Harry Malcolmson; "A Note on the Canada Council," by David P. ... [details]
Issue edited by Philip Leider. Essays "The Art of Bruce Nauman," by Fidel A. Danieli; "Some Other Comments," by Dan Flavin; "An Exploratory Dissection of Seeing," by Lucas Samaras; "The Serial Attitude," by Mel Bochner; "Frank Stella's New Paintings," by Jane Harrison Cone; "Problems of Criticism III: Venetian Art and Florentine Criticism," by Max Kozloff; "Scale as Content at the Corcoran," by Andrew Hudson; "The Monuments of Passaic," by Robert Smithson. ... [details]