A complete compendium of all Great Bear Pamphlets. Originally published between 1965 and 1967 by Something Else Press, the Great Bear Pamphlet contributors were a who's who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Dieter Rot and Emmett Williams, were just but a few of the artists / authors in the series. ... [details]
A complete compendium of all Great Bear Pamphlets. Originally published between 1965 and 1967 by Something Else Press, the Great Bear Pamphlet's contributors were a who's who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Dieter Rot and Emmett Williams, were just but a few of the artists / authors in the series. ... [details]
A sequence of stills from the altered version of the artist's original installation at the Dia Center for the Arts, New York, [ ], 2001 - [ ], 2002; compiled into a large flip-book. Filmed using an infra-red video camera, each still includes a respective "event log" on the reverse side. ... [details]
Program catalogue for performances by the Merce Cunningahm and Dance Company held Tuesday, December 29 1953 through Sunday, January 3, 1954. Contains complete documentation of eight performances held at The Theater de Lys, 121 Christopher Street, New York. ... [details]
Collection of music manuscripts which have been "illustrated" by Cage using "I-Ching chance operations" with the intention of demonstrating the contemporary evolution of music notation. [details]
A collection of letters and writings by avant-garde composer John Cage. "These papers and addresses mirror his major concerns. Here are statements of his views on experimental music: Composition by chance operations, indeterminacy of performance, the use of electronic sound, the value of ambient noise. ... [details]
Issue edited by Ingrid Sischy. Essays "'Du Hast Keine Chance. Nutze sie!' With It and Against It: Tendencies in Recent German Art," by Wolfgang Max Faust; "Architecture and Limits III. Introduction," by Bernard Tschumi; "Architecture and Limits III. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. ... [details]
Issue edited by Ida Panicelli. Essays "Curies' Children: Vilem Flusser on Science," by Vilem Flusser; "Exits and Entrances: A Project for Artforum," by Marianne Goldberg; "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "Believe It or Not: J. ... [details]
Issue edited by Jack Bankowsky. Essays "American Myths," J. Hoberman on Lost Las Vegas; "Books: Larissa MacFarguhar on Robert Woolley's 'Going Once,'" by Larissa MacFarquhar; "Books: Martha Frankel on Norman Mailer's 'Portrait of Picasso as a Young Man,'" by Martha Frankel; "Books: Peter Plagens on Christopher Knight's 'Last Chance for Eden,'" by Peter Plagens; "Books: J. ... [details]