"Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. ... [details]
Two sided postcard / announcement published in conjunction with show held December 4, 1991 - January, 1992. Curated by Kenny Schachter. “One of his earliest exhibitions, 'Unlearning,' sought precisely to turn the prevailing construct upside down. ... [details]
Volumes 1 and 2 transcribing a series of symposiums on Time and Space in Modern Art edited by Marilyn Bedford and Jerry Herman. "Time and Space I," was a symposium on concepts in music and visual art, and was moderated by Dore Ashton. ... [details]
Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. ... [details]
Program for the performance of "The Tinguely Machine Mystery or The Love Suicides at Kaluka," a play by Kenneth Koch performed at The Jewish Museum, New York, December 22, 1965. Directed by Remy Charlip and Kenneth Koch; music by Morton Feldman; bridge built by Larry Rivers, Syd Solomon, and Howard Kanovitz; machines by Jean Tinguely; lighting by Nikola Cernovich; technical staff: Felix Lau. ... [details]
![Second Annual New York Festival of the Avant Garde [New York Avant Garde Festival]](/objects/images/s8248.jpg "Second Annual New York Festival of the Avant Garde [New York Avant Garde Festival]")
Program for the Second Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 30 - September 13, 1964. Organized by N. Seaman and Charlotte Moorman. Performances and contributions by Charlotte Moorman, Karlheinz Stockhausen, Allan Kaprow, James Tenney, Max Neuhaus, Alvin Lucier, Robert Delford Brown, Olga Kluver, Lette Eisenhauer, Robert Breer, Garry Harris, David Behrman, Marjorie Strider, Michael Kirby, Allen Ginsberg, Vincent Gaeta, Gloria Graves, Dick Higgins, Jackson Mac Low, Peter Leventhal, Mary Bauermeister, Matthew Raimondi, Malcolm Goldstein, Marilyn Reiley, Joseph Shor, Jacob Glick, Benjamin Patterson, Mary Barnette, Alice Kogan, Mary Kucier, Charles Morrow, Jame Lee, George Brecht, Joe Jones, Lorenzo Thomas, Nam June Paik, Frederic Rzewski, Philip Corner, Christian Wolff, Morton Feldman, Robert Moran, Stefan Wolpe, Lukas Foss, Bertram Baldwin, Terry Jennings, Earle Brown, John Cage, Guisseppe Chiari, Toshi Ichiyanagi, Richard Maxfield, Kaniharu Akiyama, Harvey Sollberger, Mario Davidovsky, Yannis Xenakis, Luciano Berio, Luc Ferrari, Robert Bayley, Philip Jameson, Gyorgy Ligeti, Henri Pousseur, Peter Moore, Gordon Mumma, George Cacioppo, Robert Ashley, Carl Spelbring, Bruce Wise, George Crevoshay, Edgard Varese, Vincent Cavalli, Adrian Gnam, Ryo Hei Nakagawa, William Lewis, Fred Mills, Donald Stratton, John Bergamo, Edward Burnham, Raymond Desroches, Fred Eckler, Richard Fitz, Paul Price, and Howard Zwickler. ... [details]
Exhibition catalogue housed in a cardboard slipcase published in conjunction with show held October 30 - December 1, 2006. Foreword by Del Rey Loven. Texts by Kevin Concannon and David Platzker. Additional texts include Jill Judge on Marcel Duchamp; Kyle Stoneman on Leonor Fini and Salvador Dalí; Frances Nicholson and Alex Draven on Marcel Duchamp; Larry Miller on Larry Miller; Katie Ardner on Robert Watts; Cristina Ciarula on Niki de Saint Phalle; Elizabeth Tyran on Arman; Stacey L. ... [details]
Exhibition catalogue published in conjunction with show held May 19 - July 6, 1969. Texts by curators James Monte and Marcia Tucker. "The radical nature of many works in this exhibition depends less on the fact that new materials are being used by the artists than the fact that the acts of conceiving and placing the pieces take precedence over the object qualities of the works. ... [details]
Issue number five of the journal "Art and Literature," edited by John Ashbery, Anne Dunn, Rodrigo Moynihan, and Sonia Orwell. Contents include "A Selection from 'The Venice Letters,'" by Fr. Rolfe, Baron Corvo; "The Feast of Love," by Virgil Thomson; "Poems: 'In the Wood' and 'Ballade,'" by Boris Pasternak; "Poems: 'from Laborintus' and 'from Erotopaegnia,'" by Edoardo Sanguineti; "Narcissus Pseudonarcissus," by Elio Pagliarani; "Poems: 'When I Saw the Willow,' "Grey Clearings are Kindled,' 'from Birthday,' 'from Predilections,'" by Alfredo Giuliani; "Pop Art and Non-Pop Art," by Robert Rosenblum; "Beautiful and Interesting," by Larry Rivers and David Hockney; "The New American Modern Dance," by Jill Johnston; "from 'The Red Robins,'" by Kenneth Koch; "Can we Talk," by Donald Barthelme; "Poems: 'Two Voices,' 'I See the Far,' 'Song of the Golden Gayboy,' and 'Summer to Winter,'" by Soteré Torregian; "Poems: 'Arch Romance in an Orchard,' 'Telegram for Love in Tradition,' 'Apprentice Clockmaker-Clockmaker Abroad,' 'The Two Cronies,' 'Night and Day,' 'Cameos of Philosophy,' 'The Lady in the Avenue of Love,'" by G. ... [details]
Exhibition catalogue published in conjunction with show held June 2 - July 2, 1988. Texts include "Notes" by Valerie Smith; "Michael Asher and James Coleman at Artists Space" by Anne Rorimer; "Michael Asher: The Wall as Object, The Gallery as Framework," by John Vinci and "On Seeing for Oneself: A Perspective," by Jean Fisher. ... [details]
