Exhibition catalogue published in conjunction with show held at the Cleveland Center for Contemporary Art, Ohio, February 11 - May 1, 1994; and the Snug Harbor Cultural Center, Staten Island, New York, February 26 - June 18, 1995. ... [details]
Three volume annotated facsimiles of George Brecht's Champion Note Books kept from June - September 1958 (Notebook I); October 1958 - April 1959 (Notebook II); April 1959 - August 1959 (Notebook III), when he attended John Cage's class held at The New School for Social Research. ... [details]
Exhibition catalogue published in conjunction with a group show held at The Warehouse, Dallas, January 21 - May 28, 2022. Curated by Thomas Feulmer. essays by Lisa Le Feuvre and Thomas Feulmer. The catalogue focuses on the sound works of Nancy Holt. ... [details]
Large-scale exhibition catalogue for show held August 21 - November 27, 2005 in Bremen; May 16 - October 1, 2006; and traveling to Museu Serralves, Porto, Autumn 2007. Exhibition and catalogue indexes over 3,000 records and record covers by artists published from 1950s through 2004. ... [details]
Extensive exhibition catalogue published in conjunction with show held in 1992 at the Daadgalerie, Berlin; the Gemeentemuseum, The Hague; and the Magasin, Grenoble. Text by René Block, Ursula Block, Michael Glasmeier, Theodore W. ... [details]
March 1974 issue of Opus International focusing on Marcel Duchamp. Articles include "Etant donné Marcel Duchamp 1) Individualiste révolutionnaire 2) respirateur," by Alain Jouffroy; "Bi lingual ography I and Marcel," by Man Ray; "Qu'y a-t-il dans un mot?," by Arturo Schwarz; "Statue de Mot pour Marcel," by Robert Cordier; "Les Symboles chez Marcel Duchamp," by Jindrich Chalupecky; "Duchamp á New York: Le Grand Oeuvre," by Kim Levin; "Etant Donnés: La derniére oeuvre de Duchamp," Nicolas Calas; "Entendre John Cage, entendre Duchamp," dialogue avec Alain Jouffroy; "L'utilité d'un passé déterminé," by Allan Kaprow; "Hommage á Marcel Duchamp: A Balcony Piece," by Michael Kirby; :Le Château de la Pureté," by Octavio Paz; "36 Questions á Daniel Pommereulle autour de Duchamp," by Jean-Clarence Lambert; "Le Ready-Made, ou la fausse réconcilation d l'art et de la vie," by Alain Roussel; "Trois Fenêtres," by Ben; "Le Roman-momie de la Mariée," by Gerard Durozoi; Persistent et Signent," by Gerald Gassiot-Talabot; "Comment s'en débarrasser, ou un an plus tard," by Gilles Aillaud, Arroyo, Recalcati; "Post-Scriptum," by Gilles Aillaud; "M. ... [details]
Exhibition catalogue published in conjunction with show held April - May 1984. Features texts by Duchamp, Gloria Moure, Eulalia Serra, Ignasi Sola-Morales, John Cage, Anne d'Harnoncourt, Dawn Ades, Yosihaki Tono, Octavia Paz, Maurizio Calvesi, and Germano Celant. ... [details]
Diminutive program booklet for evening of Happenings staged at Second City, Chicago, October 23, 1967, presented by The Museum of Contemporary Art, Chicago. Booklet incorporates program notes for events - including Cage "Variations VIII"; Knowles "String Piece" and "Bean Roll Readings"; Ben's "Apple" presented courtesy of Fluxus, and other events. ... [details]
Artist's book in the form of a boxed set of 75 playing cards designed by Christian Marclay. "Christian Marclay is known for using a range of media -- video, sculpture, installation and performance -- in his artwork to address the ways that music and sound impact our experience of the world. ... [details]
Poster promoting a dance performance held at Hunter Playhouse 68 at Lexington on Wednesday 23, [1960] by Merle Marsicano, with music by Stefan Wolpe, John Cage, Morton Feldman, Jerry Petersen, and Webern. ... [details]
