Single sided program / press release published in conjunction with the Whitney Museum of American Art's New American Filmmakers Series presentation of films by Ida Applebroog held December 19 - 28, 1978. ... [details]
Auction catalogue for sale held at Sotheby's, New York, November 5, 1985. Sale featured works from the Dia Art Foundation sold to raise an endowment for future display of work held by Foundation in New York City. ... [details]
Exhibition catalogue published in conjunction with show held November 4 - December 6, 1975. Essay by Richard Morphet. Includes fourteen full-page reproductions of Oldenburg's erotic drawings from the exhibition plus an exhibition checklist, chronology, and selected one-person exhibitions. ... [details]
First vinyl pressing of "How to Make a Happening," published as a vinyl LP by Mass Art and distributed by Something Else Press, "How to Make a Happening" is a spoken word recording in mono of Allan Kaprow describing, in detail, how to make a happening. ... [details]
Multiple by Louise Lawler and Allan McCollum. Produced as a series of 20 lacquered brass objects (10 unique shapes in both directions) titled "Fixed Intervals," intended to "stand in for artworks which - for one reason or another - are missing. ... [details]
Limited edition ceramic dinner plate designed by John Baldessari "to benefit charitable organizations dedicated to bring hope and help children in need around the world." Produced in Italy. Handwritten signature and edition number fired into bottom of the plate. [details]
The first volume of the Creator Projects publication of editions and multiples by artists titled "M.M.S. (Much. More. Shit.)" inspired by the 1968 publication "S.M.S. (Shit Must Stop.)." Artists include Alexander Tovborg, Alicja Kwade, Daniel Buren, Hesselholdt & Mejlvang, Jenny Holzer, Jeppe Hein, Katharina Grosse, Martin Creed, Monster Chetwynd, Nico Vascellari, Tania Bruguera, and Tosh Basco. ... [details]
January 1974 issue of Studio International with cover specially designed for this issue by Harold Cohen. Edited by Peter Townsend. Contents include: "Lawrence Weiner: The Books," by Eric Cameron; "Correspondence;" "On Purpose: an inquiry into the possible roles of the computer in art," by Harold Cohen; "Legend," photographs from Daniel Buren's new book; "A Victorian Radical Photographer: Peter Henry Emerson," by Peter Turner; "Tadeusz Kantor and his Cricot 2 theatre," by Wieslaw Borowski; "'Intimate scaffolding': Cezanne's drawings and watercolours," by Phillip Rawson; "Newman and the issue of subject matter," by Roelof Louw; and "Review. ... [details]
February 1974 issue of Studio International with cover specially designed for this issue by Robert Natkin. Edited by Peter Townsend. Contents include: "The Situation of the artist in Yugoslavia since 1945," by Cyril Barrett; "'Art-Language' at the Lisson Gallery," by Paul Wood; "Ivan Karp on Marcel Duchamp," an interview with Moira Roth; "Definition and theory of the current avant garde: materialist/structural film," by Peter Gidal; "Correspondence;" "Edvard Munch: scene, symbol and allegory," by Frank Whitford; "Profile," by Hans Haacke; "The Shape of Colour," by Patrick Heron; "Robert Ryman: unfinished 1 (materials)," by Barbara Reise; "Review. ... [details]
March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. ... [details]
