First vinyl pressing of "How to Make a Happening," published as a vinyl LP by Mass Art and distributed by Something Else Press, "How to Make a Happening" is a spoken word recording in mono of Allan Kaprow describing, in detail, how to make a happening. ... [details]
Multiple by Louise Lawler and Allan McCollum. Produced as a series of 20 lacquered brass objects (10 unique shapes in both directions) titled "Fixed Intervals," intended to "stand in for artworks which - for one reason or another - are missing. ... [details]
Limited edition ceramic dinner plate designed by John Baldessari "to benefit charitable organizations dedicated to bring hope and help children in need around the world." Produced in Italy. Handwritten signature and edition number fired into bottom of the plate. [details]
The first volume of the Creator Projects publication of editions and multiples by artists titled "M.M.S. (Much. More. Shit.)" inspired by the 1968 publication "S.M.S. (Shit Must Stop.)." Artists include Alexander Tovborg, Alicja Kwade, Daniel Buren, Hesselholdt & Mejlvang, Jenny Holzer, Jeppe Hein, Katharina Grosse, Martin Creed, Monster Chetwynd, Nico Vascellari, Tania Bruguera, and Tosh Basco. ... [details]
January 1974 issue of Studio International with cover specially designed for this issue by Harold Cohen. Edited by Peter Townsend. Contents include: "Lawrence Weiner: The Books," by Eric Cameron; "Correspondence;" "On Purpose: an inquiry into the possible roles of the computer in art," by Harold Cohen; "Legend," photographs from Daniel Buren's new book; "A Victorian Radical Photographer: Peter Henry Emerson," by Peter Turner; "Tadeusz Kantor and his Cricot 2 theatre," by Wieslaw Borowski; "'Intimate scaffolding': Cezanne's drawings and watercolours," by Phillip Rawson; "Newman and the issue of subject matter," by Roelof Louw; and "Review. ... [details]
February 1974 issue of Studio International with cover specially designed for this issue by Robert Natkin. Edited by Peter Townsend. Contents include: "The Situation of the artist in Yugoslavia since 1945," by Cyril Barrett; "'Art-Language' at the Lisson Gallery," by Paul Wood; "Ivan Karp on Marcel Duchamp," an interview with Moira Roth; "Definition and theory of the current avant garde: materialist/structural film," by Peter Gidal; "Correspondence;" "Edvard Munch: scene, symbol and allegory," by Frank Whitford; "Profile," by Hans Haacke; "The Shape of Colour," by Patrick Heron; "Robert Ryman: unfinished 1 (materials)," by Barbara Reise; "Review. ... [details]
March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. ... [details]
April 1974 issue of Studio International with cover specially designed for this issue by Klaus Rinke. Edited by Peter Townsend. Contents include: "Art and industry: a systematic approach," by Bernard Smith; "Correspondence;" "On Mounds," by James Davis; "Memories of passing: a note on Richard Long," by R. ... [details]
June 1974 issue of Studio International with cover specially designed for this issue by Norman Stevens. Edited by Peter Townsend. Contents include: "The market system and the arts," by John Kenneth Galbraith; "Politics in art," by Su Braden; "Creativity at work - Artists' Space," by Derek Seagrief; "Phillip King," by Barry Martin; "The iconoclastic fury," by Andrei B. ... [details]
Oversized double sided card / announcement published in conjunction with show held November 2 - 23, 1965. Recto features image of work "Virnaburger," 1965. [details]