Issue edited by Bice Curiger. Essays "Marie José Burki: Das Zittern der Dinge," by Daniel Kurjakovic; "Peter Hujar," by Nan Goldin; "Vija Celmins: Material Fictions," by Nancy Princenthal; "Night, Sleep, Death and the Stars," by Jim Lewis; "Vija Celmins in conversation with Jeanne Silverthorne," by Vija Celmins; "Vija Celmins' Play of Imitation," by Richard Shiff; "On the Melancholy of Vantage Points," by Jean-Pierre Criqui; "Andreas Gursky: Painter of New Theaters of Action," by Jacqueline Burckhardt; "Brasilia: Vanishing Points," by Neville Wakefield; "How Familiar is it?," by Collier Schorr; "Guess Who's Coming to Dinner," by Alexandre Melo; "Forget about the Ball and Get on with the Game," by Liam Gillick and Rirkrit Tiravanija; "En route," by Richard Flood and Rochelle Steiner; "Micromegas," by Lynne Cooke; "The Trap Slams Shut: Andreas Slominski," by Noemi Smolik; "Jean Painlevé and Mark Dion; "A Wordscape. ... [details]
Issue edited by Bice Curiger. Contents include: "Performance Record," RoseLee Goldberg, Buce Curiger, Jacqueline Burckhardt, and Nikki Columbus in conversation; "Attention Must Be Paid For," by Annie Dorsen, Ryan McNamara, Marten Spangberg and Nikki Columbus in conversation; "Urs Fischer's Objects and Images," by Nicholas Cullinan; "The Fearful Dissymmetry," by Joanna Fiduccia; "When X is not X," by David Reinfurt; "Mathematical Artifacts," by Byron Cook; "The Lure of Repetition," by Markus pór Andrésson; "The Song Remains the Same, Ragnar Kjartansson and the Quality of Quantity," by Drew Daniel; "An Honest Painter," by Kitty Scott; "Exactly," by Tirdad Zolghadr; "The Void - On Few Pictures by Shirana Shabazi," by Lukas Bärfuss; "Shirana Shahbazi," by Jörg Heiser; "Controlled Explosion," by Tom McDonough; "Left in the Dark," by Mark von Schlegell; and "Blowing off Steam," by Bridget Alsdorf. ... [details]
Exhibition catalogue published in conjunction with show held at Guggenheim Museum, New York, June 28 - October 9, 1996. Traveled to Museum of Contemporary Art, Chicago, November 2, 1996 - January 11; 1997, Bass Museum of Art, Miami, February 6 - April 6, 1997; Joslyn Art Museum, Omaha, May 10 - July 6, 1997. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Issue edited by Bice Curiger. Essays "Bill Woodrow: The Ship Of Fools," by Lynne Cooke; "I Am Going, Erik Bulatov's Vision Of Space," by Claudia Jolles; "Jürgen Partenheimer - Wanderer Between The Worlds," by Amine Haase; "Andy & Andy The Warhol Twins: A Theme and Variations," by Stuart Morgan; "Andy," by Glenn O'Brien; "The Magic Of The Why Not," by Remo Guidieri; "A Portrait Of Andy," by Robert Becker; "Reinhard Mucha - Connections," by Patrick Frey; "Les Infos Du Paradis: The Exhibition 'Sculpture Projects Münster 1987' To Be Opened June," by Jacqueline Burckhardt; "Cumulus Von Europa," by Mark Francis; "Cumulus From America," by Christopher Knight; "Balkon: 'Chain' 1985/86," by Otto Künzli. ... [details]
Issue edited by Bice Curiger. Essays "The Case Of Robert Gober," by Lisa Liebmann; "An Olympic High-Flyer," by John Russel; "Alex Katz's 'Kool' Portraits," by Brooks Adams; "The Simple Truth Of Everyday Painting," by David Rimanelli; "A Discussion," by Alex Katz / Francesco Clemente; "Four Seasons On Japanese Paper," by Michael Krüger; "Go Fetch The New Yorker," by Richard Flood; "Ada, Katz' Picture Woman," by Patrick Frey; "Night II 1987," by Carl Stigliano; "A Brushstroke Is The Most Artificial Thing In The World," by Bice Cruiger; "Cow, Cow, Cow," by Glenn O'Brien; "Homage To Giulio Roman," by Jacqueline Burckhardt; "Les Infos Du Paradis: Survival Research, Laboratories," by Mike Kelley; "Cumulus From America," by David Deitcher; "Cumulus Aus Europa," by Friedmann Malsch; "Balkon," by Rene Ricard. ... [details]
Transcript of a comprehensive conversation between the artists Joseph Beuys, Jannis Kounellis, Anselm Kiefer, and Enzo Cucchi that took place June 4 - 5, 1985 in Basel, Switzerland. Introduced by Jacqueline Burckhardt and Jean-Christophe Ammann. ... [details]
Issue edited by Bice Curiger. Essays "Gilbert & George In The Strangeness Of Their World. Observations To The Film 'The World Of Gilbert & George,' 1980," by Patrick Frey; "The History Of Art - Dead Or Alive?," by Oskar Bätschmann; "Christian Dior, Sculpteur: A Hymn," by Dieter Meier; "Dance About Dance About Me About Us: The American Dance Performer Dana Reitz," by Jacqueline Burckhardt; "Texts By: Jean-Christophe Ammann, Marja Bloem, Bice Curiger," "Etching," by Enzo Cucchi; "Vivian Suter," by Theodora Vischer; "A Trip To Genoa. ... [details]
Issue edited by Bice Curiger. Essays "Malcolm Morley Nimmt Abschied Von Kreta," by John Yau; "Dissolving Rhythms: More Words About Mirages: Magazzini Criminali Production," by Ida Panicelli; "One Light Feeds The Other. ... [details]
Issue edited by Bice Curiger. Essays "Contributions By: Gerald Marzorati, Peter Schjeldahl," "Etching For Parkett," by Eric Fischl; "Prince At Play," by Edmund White; "Quiet Afternoon," by Peter Fischli & David Weiss; "An Absence Of Vision And Drama, On: Lynn Tillman, Kathy Acker, Gary Indiana, Richard Prince," by Brian Wallis; "Mario Merz: Città Irreale," by Jacqueline Burckhardt; "The Big Pot," by Beatrice Merz; "Les Infos Du Paradis: On Ripe Fruit," by Lisa Liebmann; "Cumulus Aus Europa," by Alexander Van Grevenstein; "Cumulus From America," by Donald Kuspit; "Balkon: In The Picture-Forest," by Christian Pfluger. ... [details]
