Issue edited by Ingrid Sischy. Essays "Energism: An Attitude," by Ronny H. Cohen; "Picasso: The Surrealist Realist, Excerpts from a Coversation between Roland Penrose and Dominique Bozo"; "Passive Action/Active Passion," by Conrad Atkinson; "Independent Video: The First Fifteen Years," by Barbara London; "A Chronology of Video Activity in the United States: 1965-1980," by Barbara London with Lorraine Zippay; "Random Access Information," by Nam June Paik; "Breaking the Silence: The Spectator as Speaker," by Kenneth Baker; "St. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "A Chameleon in a State of Grace: Francesco Clemente," by Edit deAk; "American Abstract Sensationalism," by J. Hoberman; "STRIKE," a project by Jonathan Borofsky; "The Works and Writings of Daniel Buren: An Introduction to the Philosophy of Contemporary Art," by Jean-François Lyotard; "Smithson's Site/Non-Site: New York City Walk," by Amy Baker; "Scandal's Witnesses: Grafting Smithson on Bataille," by Nicolas Calas; "Books," by Parker Hodges, Joseph Masheck, Artforum; "Reviews by J. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "Post-Performance," by Douglas Davis; "Last Exit: Painting," by Thomas Lawson; "Paul Thek: Real Misunderstanding," by Richard Flood; "Painting Metaphorically: The Recent Work of Gary Stephan, Stephen Mueller, and Bill Jensen," by Klaus Kertess; "A Project," by Sol LeWitt; "Cashing in a Wolf Ticket (Activist Art and Fort Apache: The Bronx)," by Jerry Kearns and Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "Public Sculpture II: Provisions for the Paradise," by Kate Linker; "Personal Sensibilities in Public Places," by John Beardsley; "Alexandra Exter's Designs for the Theater," by Ronny H. ... [details]
Issue edited by Ingrid Sischy. Essays "'Du Hast Keine Chance. Nutze sie!' With It and Against It: Tendencies in Recent German Art," by Wolfgang Max Faust; "Architecture and Limits III. Introduction," by Bernard Tschumi; "Architecture and Limits III. ... [details]
Issue edited by Tim Griffin. Essays "Thomas Crow on the School of Pop," by Thomas Crow; "Clement Greenberg on Pop Art," by Clement Greenberg with an introduction by James Meyer; "Lawrence Alloway on Pop Since 1949," by Lawrence Alloway with an introduction by Nigel Whiteley; "Bruce Hainley on 'Transformer,'" by Bruce Hainley; "Jan Tumlir on Destroy All Monsters," by Jan Tumlir; "David Deitcher on Spiritual America," by David Deitcher; "Thomas Lawson on 'Infotainment,'" by Thomas Lawson; "Kate Bush on Young British Art," by Kate Bush; "Graham Bader on 'High & Low," by Graham Bader; "Michael Wilson on 'Just Pathetic,'" by Michael Wilson; "Robert Rosenblum on 'Post Human,'" by Robert Rosenblum; "Howard Singerman on 'Helter Skelter,'" by Howard Singerman; "Kitty Hauser on 'Superflat,'" by Kitty Hauser; "My Warhol," by Charles Ray, Richard Prince, Pierre Huyghe, Collier Schorr, Rachel Harrison, Wayne Koestenbaum, Maurizio Cattelan, Peter Halley, David Robbins, Cady Noland, Paul Sietsema, Thomas Hirschhorn, Kara Walker, and Takashi Murakami; "My Pop," by Jonathan Horowitz, Dave Muller, Chris Ofili, Inez van Lamsweerde, Banks Violette, Jason Rhoades, Andrea Bowers, Gary Hume, Isaac Julien, Karen Kilimnik, Kelley Walker, Raymond Pettibon, Urs Fischer, Assume Vivid Astro Focus, Gelatin, Rob Pruitt, Stefano Arienti, Paul Pfeiffer, Richard Hawkins, Tom Sachs, and Dara Birnbaum; "Sampling the Globe," by Daniel Birnbaum; "Pop Life: Los Super Elegantes," by David Rimanelli; "Performing the System," by Tom Holert; "Performing the Self: Martin Kippenberger," by Alison M. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Gerald Marzorati on Leon Golub," by Gerald Marzorati; "On Site: Norman L. Kleeblatt on La Maison Rouge," by Norman L. Kleeblatt; "Tech: Pamela M. Lee on the Demise of the Slide Projector," by Pamela M. ... [details]
Issue edited by Tim Griffin. Essays "Film: Best of 2004," by John Waters, Amy Taubin, James Quandt, Chrissie Iles, and Jonathan Romney; "Music: Best of 2004," by Christoph Cox, Marina Rosenfeld, Arto Lindsay, Johanna Fateman, and Dennis Cooper; "Books: Best of 2004" by Arthur C. ... [details]
