Summer 2002 Issue of biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma couleur préferée," by Claude Closky; "Therefore," by Elein Fleiss; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillin; "Surface," by Dominique Gonzalez-Foerster; "Purple Special: Maurizio Cattelan;" "Don't Believe In War," by Olivier Zahm; "Accidentally On Purpose," by Jeff Rian; "Visual Essay," by Maurizio Cattelan; "Comme des Garçons," by Anuschka Blommers & Niels Schumm; "Art Scene Tokyo," by Takashi Homma; "Balenciaga Le Dix," by Chikashi Suzuki; "Givenchy/Cosmic Wonder," by Angela Hill; "Issey Miyake Homme," by Jack Pierson; "Margiela Homme/Van Cleef & Arpels," by Laetitia Benat; "Purple Interview: 'Shimabaku,' by Elein Fleiss, 'Andrea Fraser,' by Bennett Simpson, 'Martin Walde,' by Jeff Rian, 'Carl Zimmer,' by Dike Blair;" "Light Valley," by Andreas Angelidakis; "Best Intergalactique Veracruz," by Jerónimo Hagerman; "Five Drawings," by Zoe Mendelson; "American Supper," by Terry Richardson; "Quelqu'un a bien du m'aimer un peu au début," by Gérard Duguet-Grasser; "6 Poemes," by Stephane Bouquet; "Gymnastic Melancolia," by Camille Vivier; and "Beautiful Kazakstan," by Anders Edström. ... [details]
Complete set of all twenty-three issues in twenty physical volumes of Real Life Magazine, edited by Thomas Lawson. Includes issues 1 through 23 published irregularly between March 1979 and Autumn 1994, in New York City and later at CalArts in Valencia, California. ... [details]
Spring 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Spaces;" "Stephen Seemayer: Profiled and interviewed by Linda Burnham;" "Jerry Dreva: An Introduction;" "Jerry Dreva: A Letter;" "Dreva Questions Dreva;" "Artist's Chronicle," by Phil Berkman, Robin Yvonne King, John Sheridan, Julie Wallace Keller, Valerie Bechtol, Anne Mavor, Marianne Bonetti, John Duncan, Ross Muirhead, Darryl Sapien/Performance Foundation, Richard Alpert, Danny Devos, Bill Gordh, Barbara T. ... [details]
Summer 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "WCA Conference in Louisiana," by Suzanne Lacy; "Public Arts International/Free Speech," by Stephen Forsling; "Per/for/mance, American Performance Festival in Italy: Chris Burden, Laurie Anderson, Paul McCarthy, Julia Heyward, Disband, Richard Newton;" "Artist's Chronicle: John Sheridan, Julie Wallace Keller, Valerie Bechtol, Mark Bloch, Anne Mavor, Joshua Abbey, M. ... [details]
Exhibition catalogue published in conjunction with show held at Castello di Rivoli Museo D'Arte Contemporanea, Rivoli-Torino, Italy, October 8, 2003 - January 25, 2004 with a VB52 performance held October 6, 2003. ... [details]
All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. ... [details]
October 1976 issue of Art-Language featuring anonymous writings on relevant contemporary political, artistic, and semiotic concerns. Contents include: "Us, Us and Away"; "The Rediscovery of Hazlitt: To Our Knowledgeable Friends, Surrounded by False Homage, Estranged from Real Work"; "In Contradiction"; "Semiotique, Hardcore"; "Interdisplinary Studies: Urology, Arachnodidactics"; "Doge City"; "Above Us the Waves (A Fascist Index). ... [details]
Catalog 40 distributed in April 2002 by the late San Francisco book dealer Steven Leiber offering for sale 331 items, most of which were duplicate copies from The Ruth & Marvin Sackner Archive of Concrete and Visual Poetry in Miami Beach, Florida. ... [details]
Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. ... [details]
Cremaster 3, the last in Matthew Barney's epic five-part film project, is part zombie, part gangster film. Set in 1930s New York and Saratoga Springs as well as Giant's Causeway in Northern Ireland, the plot explores the Irish mob system, freemasonry, and Celtic lore as further symbols for the forces at play in "Barney's mythological system. ... [details]