Issue number 13 of the periodical Dot Dot Dot, a predecessor to the publication "Bulletins of The Serving Library." Edited by Stuart Bailey. Contents include: "Editorial (1)," by G.K. Chesterton; "Editorial (2)," by Benjamin Franklin; "Editorial (3)," by Lewis H. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Monograph about Colin De Land and his gallery American Fine Arts. Chiefly composed of photographs from the Colin De Land Photo Archive documenting art, installations, and activities at the gallery. Edited by Dennis Balk. ... [details]
Exhibition catalogue published in conjunction with shows held in 70 different New York City galleries, the sales of which benefited the American Foundation for AIDS Research. Text by Robert Rosenblum and Matilde Krim, Ph. ... [details]
Biography of the art dealer Richard Bellamy by Judith E. Stein. Includes Green Gallery history, images, and index.
"Journey back to the early sixties, to the beginning of the market for contemporary art, when the art dealer and tastemaker Dick Bellamy (1927-1998) made history but chose not to make money.
...
[details]
Exhibition catalogue published in conjunction with show held May 5 - June 20, 1995. Edited by Frances F.L. Beatty and Samuel Lorin Trower. Text by Marco Livingstone. Includes an interview between the artist and Richard Feigen, Frances F. ... [details]
Engrossing history of Richard (Dick) Bellamy's Green Gallery conducted through interviews by Erik La Prade with: Alfred Leslie, Mark di Suvero, Philip Wofford, Mimi Gross, Claes Oldenburg, Tadaaki Kuwayama, Rakuko Naito, Pat Passlof, Richard Smith, Sally Hazelet Drummond, Lucas Samaras, Wolf Kahn, Emily Mason, Hanford Yang, James Rosenquist, Frank Stella, Charlotte Bellamy, Jeannie Blake, Sam Green, Virginia Dwan, Paula Cooper, Robert Morris, Richard Bellamy. ... [details]
Audio CD by The Poetics (Mike Kelley and Tony Oursler). Tape mixes by Mike Kelley, Tony Oursler, and Dave Muller. Produced by Kelley and Oursler. Art Byington: guitar, bass, samples; Mike Kelley: vocals, drums, percussion, electronics; Dave Muller: bass, horns, samples, backing vocals; Tony Oursler: vocals, keyboards, electronics, guitar, bass; Steven Vitiello: guitar; Bill Wintersole: guitar; Zoe Pettijohn: vocals; Cathy: vocals; Princess: vocals; Bad News: vocals; and Linda Post: vocals. ... [details]
Annual periodical edited by William Seitz, "Contemporary Sculpture : Arts Yearbook 8," is a compendium of essays on sculpture of the early 1960s. This volume contains the first publication of Donald Judd's seminal essay "Specific Objects," as well as Judd's review of the Howard and Jean Lipman Collection. ... [details]
