Hal Foster's critical look at the "Pop" generation that came to artistic age in the 1960s. "Who branded painting in the Pop age more brazenly than Richard Hamilton, Roy Lichtenstein, Andy Warhol, Gerhard Richter, and Ed Ruscha? And who probed the pop revolution in image and identity more intensely than they? In 'The First Pop Age,' leading critic and historian Hal Foster presents an exciting new interpretation of Pop art through the work of these Pop Five. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: John Howell on Voguing," by John Howell; "Folio: Andrew Solomon on Bookbinding," by Andrew Solomon; "Believe It of Not: J. Hoberman on American Myths," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. ... [details]
Issue edited by Ingrid Sischy. Essays "William Klein and the Radioactive Fifties," by Max Kozloff; "Tattoo: the State of the Art," by Marcia Tucker; "Pressing On: Thomas Nozkowski's Paintings," by Joseph Masheck; "Leon Golub's Murals of Mercenaries: Aggression, 'Ressentiment,' and the Artist's Will to Power," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "In Search of Religion," by Komar and Melamid; "Three Oblique Situations," by Nicolas Calas; "Peggy Guggenheim," by Marie Cosindas; "Marcel Broodthaers: Allegories of the Avant-Garde," by Benjamin Buchloh; "Ree Morton," by Mary Delahoyd; "Editorial Comment," by Ingrid Sischy; "Essential Differences: A Comparison of the Portraits of Lisette Model and Diane Arbus," by Shelley Rice; "Books: 'Lisette Model: An Aperture Monograph'," by Ronny H. ... [details]
Issue edited by Ingrid Sischy. Essays "Figuring it Out," by Klaus Kertess; "Visions and Re-Visions," by Moira Roth; "Slouch Stretch Smile Leap," by Carol Squiers; "Lisa Lyons," by Robert Mapplethorpe; "Editorial," by Ingrid Sischy; 'Action and Abstraction," by Mary Delahoyd; "Carolee Schneemann: The Woman Who Uses Her Body as Her Art," by Ted Castle; "The Doctors," by Stanley B. ... [details]
Issue edited by Ingrid Sischy. Essays "An Imprint Is Never Alone," by René Denizot; "Architecture and Limits: Introduction," by Bernard Tschumi, "The Writing of the Walls," a project by Anthony Vidler, and "Masque," a project by John Hejduk; "The 18th New York Film Festival," by J. ... [details]
November 1979 issue of Artforum, edited by Joseph Masheck. Contents include: "Sean Scully's Absolute Paintings," by Sam Hunter; "Joseph Glasco: Painting Under Construction," by Vered Lieb; "Jene Highstein: A Full Roundness," by Ted Castle; "Nothing/Not Nothing/Something," by Joseph Masheck; "Ideas and Earth," by David Shapiro; "Jackie Ferrara's Il-lusions," by Kate Linker; "A Tournament of Rose's," by Hal Foster; "Books: 'The Decorative Designs of Frank Lloyd Wright," by Alice van Buren. ... [details]
Issue edited by Joseph Masheck. Essay "Alexander Rodchenko: The Simple and the Commonplace," by Hugh Adams; "The Photomontages of José Renau," by Carole Naggar; "Franz Kline's Color Abstractions: Remembering and Looking Afresh," by Budd Hopkins; "Michael Goldberg's New Paintings," by John Johnston; "Angela Jansen, Printmaker," by Francine Tyler; "Seven Artists of Israel," by Steven Kasher; "Oliver Lee Jackson: Forms that Feeling Takes," by Regina Hackett; "Planar Constructions and the Planar Dimension," by Erik Saxon; "Books: 'The Third Mind,'" by Nicolas Calas. ... [details]