Catalogue published in honor of the Storm King Art Center. Text by John Beardsley, with a foreward by J. Carter Brown, and an introduction by H. Peter Stern. Photographs by David Finn. Artists featured in the publication include Douglas Abdell, Saul Baizerman, Max Bill, Louise Bourgeois, Alexander Calder, Anthony Caro, Dorothy Dehner, Mark Di Suvero, Herbert Ferber, Richard Friedberg, Charles Ginnever, Emilio Greco, Robert Grosvenor, Gilbert Hawkins, Barbara Hepworth, Jim Huntington, Meashe Kadishman, Lyman Kipp, Jerome Kirk, Grace F. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Set 2 of a series of playing cards by Don Cellender featuring images of well known artists superimposed over images of baseball players on semi fictionally titled teams. Verso has a representative image or statement about the art world figure pictured. ... [details]
Issue edited by Ingrid Sischy. Essays "David Bowie's Survival," by Carter Ratcliff; "Biographical Notes on a Metaphysical Argonaut - Alberto Savinio," by Maurizio Fagiolo dell'Arco; "'I'm Really Scared When I Kill in My Dreams,' (from a lyric by Glenn Branca)," by Kim Gordon; "Barry Le Va's Sculpture: Ellipsis and Ellipse," by Klaus Kertess, a project by Barry Le Va; "The 20th New York Film Festival: Virtue and Vice on 65th Street," by Barbara Kruger; "The 20th New York Film Festival: A Penny for the Peep Show," by Gary Indiana; "Books: Kathy Acker on Hans Magnus Enzensberger's 'Critical Essays,'" by Kathy Acker; "The Appearance of the Zeitgeist," by Wolfgang Max Faust. ... [details]
Issue edited by Ingrid Sischy. Books: Alexandra Anderson on "Earthworks and Beyond"; Maurice Berger on "Ficciones, The Painting of Modern Life" and "The Real World of the Impressionists"; Greil Marcus on "Correspondence Art, Forbidden Dreams, James Dean, The Rap Attack, and Return Engagement"; David Salle on "Gemini G. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Balancing Bigger and Smaller, Alberto Burri's Studio," by Ida Panicelli; "Modern Life: Close Encounters with Unidentified Flying Zeitgeists," by Carter Ratcliff; "Turned Out: Biology 101 invades Art History 407. ... [details]
Issue edited by Ingrid Sischy. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "Animarum Venator (Hunter of Souls): An Interpretation of Arcimboldo," by Massimo Cacciari; "'I Like the Free World.' Arcadian Settlements on the Edge of the Unknown from the 1600s to the Present: Part II of a Series on Different Styles of Vision," by Carter Ratcliff; "Louis Sullivan's Clay Gardens: Pod-Modernism," by Colin Westerbeck; "Harlequinade for an Empty Room: On David Salle, Classical Steps Toward the Year 2000," by Lisa Liebmann; "Jannis Kounellis and the Reenchantment of Contradiction: Diverting Fact to Possibility," by Kenneth Baker; "Who Told Thee That Thous Was't Naked: The Immaculate Commission in the Emperor's New Clothes," by Thomas McEvilley; "Museum Piece: Los Angeles' Recent Acquisitions," by Joseph Giovannini; "Icons at Large: Knowing Who Your Friends Are," by Lisa Liebmann; "Like Art: Birthday Suits for Different Parties," by Glenn O'Brien; "Speaker to Speaker: Listening to the Words," by Greil Marcus; "Books: A Review of Art Spiegelman's Maus: A Survivor's Tale," by Richard Gehr; "A Canvas of Episodes: On the Wings of Love, Rex Finds Out What Give-and-take is All About," by Frederic Tuten. ... [details]
Issue edited by Ida Panicelli. Essays "Curies' Children: Vilem Flusser on Science," by Vilem Flusser; "Exits and Entrances: A Project for Artforum," by Marianne Goldberg; "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "Believe It or Not: J. ... [details]
Issue edited by Ida Panicelli. Essays "Environment: Molly Hankwitz on the New Times Square," by Molly Hankwitz; "Billboard: David Deitcher on the United Colors of Benetton," by David Deitcher; "Museum Piece: Edward Ball on Personality Culture," by Edward Ball; "Books: Elaine Reichek on Liberals at War," by Elaine Reichek; "The Public Eye: Stuart Ewen on Seeing and Nothingness," by Stuart Ewen; "Critical Fictions: Alice Yaeger Kaplan on the New Hard-Boiled Woman," by Alice Yaeger Kaplan; "A Drawing Page: A Project for Artforum," by Ian Hamilton Finlay and Gary Hincks; "Madness, Sex, Exhaustion: George Ohr," by Jeff Perrone; "Japanese Moments: A Project for Artforum," by Ange Leccia; "Longo's Logos," by Carter Ratcliff; "Freud's Toys," by Louise Bourgeois; "Leon Golub, Undercover Agent," by Rosetta Brooks with an excerpt from the artist's text-in progress, "Split Infinities"; "Martha Diamon: Sensation Rising," by Bill Berkson; "Photographs from then AIDS Project 1984-89," by Brian Weil; "Theory of Flight," by Ida Panicelli. ... [details]