Exhibition catalogue published in conjunction with show held October 24, 2008 – January 7, 2009. Curated by Nancy Spector. Features essays by Michael Archer, Jan Avgikos, Daniel Birnbaum, Ina Blom, Stefano Boeri, Francesco Bonami, Nicolas Bourriaud, Xavier Douroux, Patricia Falguieres, Heike Föll, Hal Foster, Massimiliano Gioni, Michael Govan, Dorothea von Hantelmann, Jens Hoffman, Chrissie Iles, Branden Joseph, Emily King, Christy Lange, Maria Lind, Tom Morton, Molly Nesbit, Hans Ulrich Obrist, Beatrix Ruf, Stephan Schmidt-Wulffen, Barbara Steiner, Rachael Thomas, Eric Troncy, Giorgio Verzotti, Thomas Wulffen, Olivier Zahm. ... [details]
An anthology of writing on modernism edited by Brian Wallis and foreword by Marcia Tucker. Includes essays by Kathy Acker, Roland Barthes, Jean Baudrillard, Walter Benjamin, Jorge Luis Borges, Benjamin H. ... [details]
Exhibition catalogue published in conjunction with show held September 7 - December 14, 1997. Essays by Paul Schimmel and Hal Foster. [details]
Exhibition catalogue published in conjunction with show held February 3 - April 28, 2002. Texts by Lionel Bovier, Fabrice Stroun, Helene Winer, Laurie Anderson, Morgan Fisher, Douglas Crimp, David Salle, Thomas Lawson, Carter Ratcliff, Michael Newman, John Hutton, Craig Owens, Therese Lichtenstein, Jean Fisher, Chris Dercon, Hal Foster, Jak Bankowsky, Rosetta Brooks, Philip Pocock, Bruce Grenville, and Goldstein. ... [details]
Exhibition catalogue published in conjunction with show held July 27 - October 14, 1990 featuring drawings, photographs, artists' books and prints by Ruscha of apartments in Los Angeles. Catalogue also features images of similar works by Charles Sheeler, Ralston Crawford, Edward Hopper, Joe Goode, Richard Artschwager, David Hockney, Robert Bechtle, Irving Gill, Richard Neura, Gregory Ain, R. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Critical history of the art scene in San Francisco between 1945 and 1995 by Thomas Albright. Artists include Thomas Albright, George Abend, Arlo Acton, Ann Adair, Lee Adair, Mark Adams, Tom Akawie, James Alberson, Maxine Labro, Robert Alexander, William Allan, Boyd Allen, Gary Allen, Jesse Allen, John Almond, Alex Anderson, David Anderson, Jeremy Anderson, Steven Andresen, Ruth Armer, Victor Arnautoff, Robert Arneson, Ruth Asawa, Olive Ayhens, Heléne Aylon, Mowry Baden, Jennifer Badger, Martin Baer, Clayton Bailey, Jerrodl Ballaie, Joel Barletta, Carroll Barnes, Matthew Barnes, Raymond Barnhart, John Battenberg, John Baxter, Bruce Beasley, Paul Beattie, Mona Beaumont, Robert Bechtle, Scott Bell, Cleveland Bellow, Jordan Belson, Fletcher Benton, Elio Benvenuto, Richard Berger, Henrietta Berk, Wallace Berman, Roger Berry, David Best, Bernice Lee Bing, Elmer Bischoff, Sue Bitney, Ed Blackburn, Ronald Bladen, Dianne Blell, J. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Art in Relation to Architecture/Architecture in Relation to Art," by Dan Graham; "Semiology, Sensuousness and Ian Wallace," by Eric Cameron; "The Big Show: The First Exhibition of the Society of Independent Artists, Part I," by Francis Naumann; "Mentalism Versus Painting," by Ross Neher; "Natural Structures: Michael Singer's Sculpture and Drawings," by Margaret Sheffield; "Another Look at Edvard Munch," by Deborah Perlberg; "Painting = Colored Space," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Tobey's Paintings of New York," by Fred Hoffman; "The Language of Forms and Colors," by Andréi B. Nakov; "Planar Straight Line and the Primary Plane," by Erik Saxon; "Snow-bound Camera," by Regina Cornwell; "Bernard Berenson, Twenty Years After," by James Beck; "The Big Show: The First Exhibition of the Society of Independent Artists, Part 2," by Francis Naumann; "Toward a Theory/Practice of Painting in France," by Paul Rodgers; "Books: On Reading Architecture," by Grahame Shane. ... [details]
