An impressive book in which Seth Siegelaub reconnects with artists he engaged with in the late 1960s within the exhibition March 1969 as well as within the exhibitions Op Losse Schroeven, Live in Your Head, When Attitudes Become Form, Konzeption Conception, and Prospekt 69. ... [details]
Critical text by Jorge Glusberg published following a workshop held at Palazzo Grassi in 1979, hosted by New York University and the Center of Art and Communication of Buenos Aries. Chapters in publication include "A prehistory of the genre," "The rise of happening," "Body Art and Performances," "Body discourse," "Signs and open codes," "The liberation of languages," "The reality of desire," "Kaprow, Beuys and Fluxus today," and "Appendix: L'Art Corporel" authored by Gregory Battcock. ... [details]
Artist's book by Hamish Fulton documenting his eight day walk in August 1985. Includes a 4-panel fold-out page with a large photograph and language art. Edited by AA Bronson. [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, October 16 - November 11, 1984. Traveled to Ackland Art Museum, University of North Carolina, Chapel Hill, January 26 - March 3, 1985; Everhart Museum, Scranton, Pennsylvania, April 27 - June 8, 1985; Grey Art Gallery and Study Center, New York University, July 9 - August 26, 1985; and Museum of Art, Fort Lauderdale, Florida, March 5 - April 16, 1986. ... [details]
Issue edited by Charles Harrison. "Mistaken Identities," by Paul Wood; "On Conceptual Art and Painting and Speaking and Seeing: Three Corrected Transcripts, 1: The End(s) of End-Game Art, 2: The Utterance of Painting, 3. ... [details]
Exhibition catalogue published in conjunction with traveling show first exhibited at Eloise Pickard Smith Gallery, Cowell College, University of Santa Cruz, CA, January 6 - February 6, 1980. Curated and with an essay by Kathan Brown. ... [details]
Very large-scale artist''s book by Aleksandra Mir featuring reproductions of twenty sharpie drawings of maps of the USA with hand written commentary. Designed by Nick Stone.
"In May 2005, I gathered 16 assistants for a Sharpie-drawing marathon in a large temporary studio in the East Village.
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Business card (letterpress with gold foil) produced by Aleksandra Mir in Mexico City during an artist residency and exhibition titled "Localismos."
"Responding to the mandate set by the curators of ‘Localismos'', a month-long residential workshop, that artists-in-residence ''work with materials and craftsmanship available in the historical center - so that from its conception, production and exhibition there is a coherent dialogue with the context'', I approached a series of local craftsmen to produce for me a series of signs in a variety of techniques - letterpress, paper, cast and welded metal - that all spell out the sentence ‘Yo No Hablo Español''.
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Exhibition catalogue published in conjunction with exhibition held at the Whitney Museum of American Art, New York, November 15, 2007 - February 10, 2008. Traveled to The Museum of Contemporary Art, Los Angeles, April 13 - July 14, 2008 ; K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, September 20, 2008 - January 4, 2009. ... [details]
