Cremaster 3, the last in Matthew Barney's epic five-part film project, is part zombie, part gangster film. Set in 1930s New York and Saratoga Springs as well as Giant's Causeway in Northern Ireland, the plot explores the Irish mob system, freemasonry, and Celtic lore as further symbols for the forces at play in "Barney's mythological system. ... [details]
Press release / letter "To the friends of the Gallery," by Howard Wise, published December 16, 1970 announcing the closure of Howard Wise Gallery following the closing of the exhibition "Three Sounds," by Howard Jones on December 19, 1970. ... [details]
February 1988 issue of Cover: Arts New York, edited by Jeffrey C. Wright. Contents include: "Wall Patrol," Valery Hallery; "Rauschenberg Interview;" "Alien Barnstormers;" "Artists Space," by Mina Roustayi; "Group Shows," by Cyuphers, Schwendenwein; "Artist Statements," by Borofsky, Rose; "Cubans at Mocha," by James Graham; "Laurence Nelson Wilbur;" "New Romantics," by Michael Scholnick; "Dance Diary," by Hughes, MacKay; "Dancenoise," by Tom Murrin; "Jim Carroll, George Kaats;" "Poems," by Michele Corriel; "Broadcasters," by William Kelley; "Video and Folk," by Wooster, Manning; "Afro-Caribbeat," by Jonathan R. ... [details]
Compendium of stories about the life of Hudson, founder of Feature Gallery, as told to Steve Lafreniere. Includes introduction by Bob Nickas. Interviewees include Lisa Beck, Ann Bobco, Darinka Novitovic Chase, Dennis Cooper, Jimi Dams, Steve Diller, Derek Eller, Pamela Golden, Sam Gordon, Peter Huttinger, G. ... [details]
Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. ... [details]
Monograph about Colin De Land and his gallery American Fine Arts. Chiefly composed of photographs from the Colin De Land Photo Archive documenting art, installations, and activities at the gallery. Edited by Dennis Balk. ... [details]
![Journal [LAICA Journal]](/objects/images/s20308.jpg "Journal [LAICA Journal]")
Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. ... [details]
Vinyl Record of "The Life and Times of Joseph Stalin" performed by Robert Wilson and Byrd Hoffman's company "Byrd Hoffman School of Byrds." Issued in unprinted, white, covers. "The Life and Times of Joseph Stalin was more than 12-hour long opera that incorporated scenes from previous plays, e. ... [details]
Flyer / handbill for gig by Bad Religion with Tupelo Chainsex and [Desperate Squad] held at Oscars, Azusa, CA, March 27, [1985]. [details]
![Dimanche : 27 Novembre 1960. Numéro Unique [aka : Yves Klein présente : le dimanche, 27 novembre 1960 : Festival d'art d'avant-garde, novembre-décembre 1960 : la révolution bleue continue : le journal d'un seul jour : numéro unique] [aka : Yves Klein Presents : Sunday, 27 November 1960. The Diary of a Single Day. The Blue Revolution Continues]](/objects/images/s19406.jpg "Dimanche : 27 Novembre 1960. Numéro Unique [aka : Yves Klein présente : le dimanche, 27 novembre 1960 : Festival d'art d'avant-garde, novembre-décembre 1960 : la révolution bleue continue : le journal d'un seul jour : numéro unique] [aka : Yves Klein Presents : Sunday, 27 November 1960. The Diary of a Single Day. The Blue Revolution Continues]")
As part of the theatrical presentations of the Festival of Avant-garde Art in November-December 1960, I have decided to present the ultimate form of collective theater: a dimanche for everybody. ... [details]
