Exhibition catalogue published in conjunction with show held November 23, 1986 - March 8, 1997. Traveled to the Museum of Contemporary Art, Chicago, April 17, - July 19, 1997; to the Haags Gemeetemuseum, The Hague, September 1 - November 22, 1987. ... [details]
Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. ... [details]
March 1987 issue of Artforum, edited by Ingrid Sischy. Contents include: "The Opposite of Emptiness: On the Spirit in Art," by Thomas McEvilley; "Excuse Me Madame But It Seems To Me Unless I'm Mistaken That I've Met You Somewhere Before: A Conversation with Eugène Ionesco," by Sanda Miller; "Nine Beatitudes on Eight Pages: After 'Four Saints in Three Acts,' Another Act, with Pictures," by Ingrid Sischy; "Hans Haacke's Corporate Muse: 'Unfinished Business,'" by Jean Fisher; "The Sleeping Beauty in the Castle of Modern Art: A Slumberer Stirs," by Ida Panicelli; "Louise Bourgeois: Where Angels Fear to Tread, A Profile in Courage," by Donald Kuspit; "Museum Piece: Rain. ... [details]
April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman; "Ambitious: A project for Artforum," by Janet Zweig. ... [details]
![Boxcar : A Magazine of the Arts [aka : Box Car]](/objects/images/s7017.jpg "Boxcar : A Magazine of the Arts [aka : Box Car]")
Inaugural issue of Boxcar: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include : Gretchen Lanes, Keisho Okayama, Roger Herman, Charles Garabedian, Llyn Foulkes, Richard Diebenkorn, Peter Liashkov, Tony Berlant, John Lees, Robert Kelly, John Thomas, Michael Palmer, Lyn Hejinian, Paul Vangelisti, Ron Silliman, Holly Prado, Bruce Fier, Paul Forte, Robert Crosson, Charles Bernstein, Clark Coolidge, John Yau, Jed Rasula, Dennis Phillips, Marina La Palma, Barbara Einzig, Martha Lifson, Peter Levitt, Robert Trammell, David Searcy, George Herms, Jeffrey Vallance, Michael C. ... [details]
Issue edited by Bice Curiger. Essays "Marie José Burki: Das Zittern der Dinge," by Daniel Kurjakovic; "Peter Hujar," by Nan Goldin; "Vija Celmins: Material Fictions," by Nancy Princenthal; "Night, Sleep, Death and the Stars," by Jim Lewis; "Vija Celmins in conversation with Jeanne Silverthorne," by Vija Celmins; "Vija Celmins' Play of Imitation," by Richard Shiff; "On the Melancholy of Vantage Points," by Jean-Pierre Criqui; "Andreas Gursky: Painter of New Theaters of Action," by Jacqueline Burckhardt; "Brasilia: Vanishing Points," by Neville Wakefield; "How Familiar is it?," by Collier Schorr; "Guess Who's Coming to Dinner," by Alexandre Melo; "Forget about the Ball and Get on with the Game," by Liam Gillick and Rirkrit Tiravanija; "En route," by Richard Flood and Rochelle Steiner; "Micromegas," by Lynne Cooke; "The Trap Slams Shut: Andreas Slominski," by Noemi Smolik; "Jean Painlevé and Mark Dion; "A Wordscape. ... [details]
Issue edited by Bice Curiger. Essays "Jana Sterbak: Chaos and Self-Creation," by Richard Noble; "Max Neuhaus: Invisible sculpture-molded sound," by Doris von Drathen; "Three Impromptus on the Art of Gerhard Richter," by Jean-Pierre Criqui; "Endless Finalities," by Peter Gidal; "The tragic desire," by Birgit Pelzer; "Sequence of Time," by Gertrud Koch; "Richter in Tahiti," by Dave Hickey; "Lèche Vitrine," by Peter Fleissig; "Dieter Roth: Garbage Clarified," by Patrick Frey; "Meyer Vaisman flips the bird," by Trevor Fairbrother; "Les Infos Du Paradis," by Roselee Goldberg; "Cumulus From America," by Paul Taylor; "Cumulus Aus Europa," by Hans Rudolf Reust; "Balkon," by Claudia Gould. ... [details]
Issue no. 3 of X-X-X-Fruit, the Diaries issue. Introduction by Anne-Christine d'Adesky. Artists include Nan Goldin, Robert Mapplethorpe, Ann Rower, Dodie Bellamy, George Jochnowitz, Bob Flanagan, Glenn Belverio, Chris Kraus, Linda Yablonsky, Kathe Izzo, CB Sundance, Anabel Watson, Mary Jane Sullivan, Rhoda & Mark Berenson, Jeff McMahon, Gregg Bordowitz, Klaus Kertess, Billy Sullivan, Eric Hanson, Stephen Barker, David Armstrong, Stephen Andrews, Corey A. ... [details]
Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Cambridge, MA, March 4 - July 16, 2007, organized by Cornelia H. Butler and Lisa Gabrielle Mark. "There had never been art like the art produced by women artists in the 1970s--and there has never been a book with the ambition and scope of this one about that groundbreaking era. ... [details]
