Exhibition catalogue based upon artist's book by Matta-Clark, produced in conjunction with exhibition held November 20 - December 15, 1990. Contains introduction by Mary Jane Jacob [incorrectly credited to Mary Jane Jacobs], and acknowledgment by Holly Solomon, checklist and images of "Splitting" works with incorporated fold-out. [details]
First issue of "View: The Modern Magazine," a special issue on Marcel Duchamp published in 1945. Edited by Charles Henri Ford. Articles include: "Flag of Ecstasy," by Charles Henri Ford; "The Point of View: Testimony," and "Lighthouse of the Bride," by Andre Breton; "Marcel Duchamp in the Arensberg Collection," by James Thrall Soby; "Magic Circles," by Gabrielle Buffet; "Rrose Selavy (1921-23)," by Robert Desnos; "Marcel Duchamp, Anti-Artist," by Harriet and Sidney Janis; "Cheat to Cheat," by Nicolas Calas; "Les Larves D'Imagie, D'Henri robert Marcel Duchamp," by Frederick J. ... [details]
Oversized exhibition catalogue published in conjunction with show held October 21 - November 20, 1958. Texts by Henri Michaux and André Verdet, in French. Artists included Jean Arp, Yves Tanguy, Pablo Picasso, Georges Braque, Joan Miro, Matta, Marc Chagall, Wols (Wolfgang Schulze), Henri Matisse, Andre Masson, Léonor Fini, Max Ernst, Salvador Dali, Victor Brauner, Rene Magritte, Man Ray, Francis Picabia, Jean Dubuffet, Kurt Schwitters, Mark Tobey, Jasper Johns, Paul Klee, Marie Laure, Marcel Polak, Domingues, Mathieu, and Tobey. ... [details]
Exhibition catalogue published in conjunction with show held October 14 - November 7, 1942. Introduction by Andre Breton, foreword by Sidney Janis. Includes texts by R.A. Parker and Henri Matisse. Edited by Andre Breton. ... [details]
Exhibition catalogue / artists' book and program published in conjunction with the Exposition Internationale Du Surréalisme held January - February, 1938. Artists included Yves Tanguy, Andre Breton, Paul Eluard, Marcel Duchamp, Claude Le Gentil, Salvador Dali, Max Ernst, Man Ray, Wolfgang Paalen, Andre Masson, Kurt Seligmann, Sonia Mossé, Hans Arp, Oscar Dominguez, Léo Malet, Joan Miro, Marcel Jean, Espinoza, Roberto Sebastian Matta Echaurren, Maurice Henry, Giorgio de Chirico, Ann Clark, Joseph Cornell, P. ... [details]
Postcard / announcement published in conjunction with opening of Gordon Matta-Clark's site specific installation at Pier 52, New York, held August 27, 1975. Text only printed on postage prepaid postcard. [details]
Pamphlet / folded poster published in conjunction with a reconstruction of the 1982 show Illegal America, redefined and held March 3 - April 7, 1990. Curated by Jeanette Ingberman and Papo Colo. Artists included Vito Acconci, Gempei Akasegawa, Louis Aragon, Art Workers Coalition, Gunther Brus, Chris Burden, Gordon Matta Clark, Dias, Bogomir Ecker, William Farley, John Fekner, GAAG, John Giorno, Greenpeace, David Hammons, Abbie Hoffman, Tehching Hsieh, Jay Jaroslov, Komar & Melamid, George Maciunas, Ann Messner, Richard Mock/Cesar Chavez, Peter Monnig, Charlotte Moorman, Otto Muehl, Paulette Nenner, Hermann Nitsch, Dennis Oppenheim, Guillermo Gomez Peña, People's Flag Show, Real Estate Show, Carolee Schneemann, Dread Scott, Jack Smith, and Krzysztof Wodiczko. ... [details]
Single sided announcement card published in conjunction with show organized by Margia Kramer held February 14 -24, 1976. Show included works by Kramer, Jennifer Bartlett, , Ericka Beckman, Nancy Holt, Dennis Kardon, Marilyn Lenkowsky, Willy Lenski, Barry Le Va, Paula Longendyke, Gordon Matta-Clark, Elizabeth Murray, Richard Nonas, Judy Pfaff, Lucio Pozzi, David Rabinowitch, Yvonne Rainer, Judy Rifka, Richard Serra, Joel Shapiro, Charles Simonds, and Richard Tuttle. [details]
Exhibition catalogue published in conjunction with show held October 3, 1999 - February 13, 2000. Essays by Catherine Morris titled "Siting Food," "Gordon Matta-Clark's Food Related Works," "Food," "Avalanche," "112 Workshop / 112 Greene Street," and "The History of Food," a letter from Caroline Goodden to Corinne Diserens. ... [details]
Exhibition catalogue published in conjunction with show held May 9 - July 16, 1981. Exhibition examines the social, cultural, and political elements of the sixties that birthed the "alternative" movement -- specifically Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, Idea Warehouse, 3 Mercer -- and charts the effects it had on the art world. ... [details]
