Exhibition catalogue published in conjunction with show held in [1988]. Texts by Johannes Meinhardt (in German) and Jeffrey Rian (in English). Artists include Allan McCollum, Richard Prince, Louise Lawler, Barbara Bloom and Larry Johnson. ... [details]
Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. ... [details]
![Das Jahrundert des Multiple : Von Duchamp bis zur Gegenwart [The Century of the Multiple: From Duchamp to the Present]](/objects/images/s7368.jpg "Das Jahrundert des Multiple : Von Duchamp bis zur Gegenwart [The Century of the Multiple: From Duchamp to the Present]")
Exhibition catalogue / quasi catalogue raisonné published in conjunction with show held at Deichtorhallen Hamburg, September 2 - October 30, 1994. Texts by Zdenek Felix, Stefan Germer, Claus Pias and Katerina Vatsella. ... [details]
Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Switzerland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. ... [details]
April 22-28, 1981 issue of SoHo News. Issue edited by Josh Friedman. Cover stories include: "Riding the Wild Cosmos: The space shuttle went up. But the real trip was on the ground. Ron Rosenbaum met them all: the trippers, the strippers, the space gov, launch freaks, comet cabals and space cases from all over. ... [details]
April 15-21, 1981 issue of SoHo News. Issue edited by Josh Friedman. Cover stories include: "What Do Women See in Dominique Sanda?" by Carlos Clarens; "Masada: ABC's Rocky Horror Bible Show," by Brian Winston; "Swiss Youth: Banking on Revolution," by Ian Savage and Hugo Lafayette; "Getting Off with the U. ... [details]
Exhibition catalogue published in conjunction with show held May 7 - August 13, 1989. Text by Mary Jane Jacob, Ann Goldstein, Ann Rorimer, and Howard Singerman. Artists featured in exhibition are Richard Baim, Judith Barry, Ericka Beckman, Gretchen Bender, Dara Birnbaum, Barbara Bloom, Troy Brauntuch, Sarah Charlesworth, Jack Goldstein, Jenny Holzer, Larry Johnson, Ronald Jones, Mike Kelley, Jeff Koons, Barbara Kruger, Louise Lawler, Thomas Lawson, Sherrie Levine, Robert Longo, Allan McCollum, Matt Mullican, Peter Nagy, Stephen Prina, Richard Prince, Cindy Sherman, Laurie Simmons, Haim Steinbach, Mitchell Syrop, James Welling, and Christopher Williams. ... [details]
Issue edited by Michael R. Goldstein. Contents include "First Cut," by Doug Ireland; "The Week that Was," by Clyde Haberman, with John Gruber; "FBI Probes Goldin's Office for Bus Shelter 'Bribery'," by Ann-Byrd Platt; "UN Declares War on Chemical Bank," by Allan Wolper; "Mixed Media," by Jane Perlez; Comic by Bill Plympton; "It Can't Happen Here?," by David Hershkovits; "Eigth Street Lives, Again," by Peter Freiberg; "Artful Dodger," by Gerald Marzorati; "Roller Queen," by Joanna Kyd; "Sports: Life Turns Sour for 'The Juice,'" by Barry Bloom; "On the Line," by Larry Merchant; "Donna Summer: How They Packaged Me," by Steve Bloom; "Behind the Trout Mask: This Is Your Captain Speaking," by Michael Shore; "Style," by Sarah Montague; article by Bob Weiner; "Child's Play," by Sharon Lee Ryder; "cookiemania," text and photos by Nina Meledandri; "A Dancer's Fairy Tale," by Michael Robertson; "'A Whole Different Movie from the One I Wrote'" by Cynthia Heimel; "Love Story with Dancing," by Stephen Saban; "Nervous Clouds of Glory," John Perreault on Mark Rothko; "The Spell of Nubia," by William Zimmer; "The Eyes Have It," Ellen Lubell on Dorothea Rockburne and Leatrice Rose; "This Week," edited by Steogen Saban and Robert Pierce; "Old Fang Style," by Tom Wynbrandt; "Image-Making," by Shelley Rice; "Van Morrison: Caught One More Time," by Peter Occhiogrosso; "Ryder Gets Rolling," by Crispin McCormick Cioe; "Rocks Off," by Ira Kaplan; "Rockabilly Rebels Raise the Roof," by Pat Wadsley; "Key Notes," by Ken Terry; "Halloween Horror, Dangerous Dummy," by Stephen Saban; "Tragic Flaws," by Noel Carroll; "The Other Cinema," by Noel Carroll; "Captives," by Tish Dace; "Dark Relatives," by James Leverett; "Oli and Trash," by William Harris; "Mixed Metaphors," by Donald R. ... [details]
Single side postcard / announcement published in conjunction with opening held April 19, [1957]. Artists include Waldemar Baranowski, Robert Beauchamp, Joann Gedney, Richard Ireland, Lester Johnson, David Lund, Marcia Marcus, Steve Montgomery, Patricia Passloff, Ray Spillenger, Peter Stander, Tom Young, Wilfrid Zogbaum, Gabriel Kohn, Mary Frank, William Creston, Joan Mathews, Allan Kaprow, Martin Bloom, Lennart Anderson, John Chamberlain, Elaine de Kooning, Vincent Pepi, Miles Karpilow, Ernest Smith, Fritz Bultman. [details]
Vivid publication of John Baldessari in conversation with Barbara Bloom via email and conversation with texts and classically Baldessari and Bloom images. "A witty and elegant visual exchange around the uses and functions of chairs doubles as an excuse to address a number of the artists’ interests and working methodologies. ... [details]
