Exhibition catalogue published in conjunction with show held November 9 - December 9, 1973. Catalogue prepared by Louise Sperling and Richard S. Field. Artists include Peter Blake, John Clem Clarke, John Constable, Ron Davis, Bill Davison, Peter Dechar, Jim Dine, Michael English, Richard Estes, Eugene Feldman, Joe Goode, Adolph Gottlieb, Bob Graham, Melissa Gurdus, Richard Hamilton, Robert Indiana, Paul Jenkins, Jasper Johns, Alex Katz, Edward Kienholz, Roy Lichtenstein, Lowell Nesbitt, Georgia O'Keeffe, Claes Oldenburg, Kenneth Price, Robert Rauschenberg, John Salt, Andrew Stasik, Frank Stella and Andy Warhol. ... [details]
Critical theory essay on pop art by Rosalind Constable, dated October 29, 1962. The essay discusses the turning away from abstract expressionism toward pop art, or "The New Realism," illustrated with images of the work of British pop artists Peter Phillips, John Latham, Patrick Hughes, Richard Hamilton, Derek Boshier, R. ... [details]
Exhibition catalogue published in conjunction with show held May 20 - September 10, 1967. Curated by Richard Bellamy, Lucy R. Lippard, Leah R. Sloshberg. Texts by Lippard. Artists included: Josef Albers, Stephen Antonakos, Richard Anuszkiewicz, Billy Apple, Milton Avery, Ben Berns, Ralph Albert Blakelock, Unberto Boccioni, Pierre Bonnard, Charles Burchfield, Chryssa, John Constable, Jean Baptiste Camille Corot, Gustave Courbet, William Crosby, Charles François Daubingy, Giorgio de Chirico, Edgar Degas, Eugéne Delacroix, Robert Delaunay, Charles Demuth, Sally Hazelet Drummond, Jean Dubuffet, Louis Eilshemius, James Ensor, Dan Flavin, Arshile Gorky, Dan Graham, G. ... [details]
Guest edited by Martha Wilson. Cover by Tseng Kwong Chi. Essays "Editor's Statement," by Martha Wilson; "Artist's Pages," by Alastair MacLennan; "Resurrecting the 'Disappeared': Recollections of Artists in absentia," by Jacki Apple; " 'Presence' in absentia: Experiencing Performance as Documentation," by Amelia Jones; "Postcolonialism and Androgyny: The Performance Art of Grace Jones," by Miriam Kershaw; "Interperformance: The Live Tableaux of Suzanne Lacy, Janine Antoni, and Mariana Abramovic," by Jennifer Fisher; "Some Relations between Conceptual and Performance Art," by Frazer Ward; "Wendy Geller's '48-Hour Beauty Blitz': Gender, Glass, and the Pleasures of Popular Culture," by Jayne Wark; "Saint Orlan Faces Reincarnation," by Jill O'Bryan; "A History of Performance," by Moira Roth. ... [details]
Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
January - February 1970 issue of Art in America, edited by Jean Lipman, with a feature called "Into the Seventies." Contents include: "Editorial: Art in America Yesterday and Tomorrow;" "Episodes From the Sixties," by Hilton Kramer; "Symptoms of the Seventies," by Jay Jacobs; "New Dealing," by Elayne H. ... [details]
Large-scale critical look at French painting from David to Cézanne. Text by Jean Leymarie, translated into English by James Emmons. Only some of the artists and other figures mentioned in the text include Jean Adhémar, August AIguier, Claude-François-Théodore Aligny, , Georges Anthony, Louis Aragon, Zacharie Astruc, Jules-Robert Auguste, Antoine Bail, Edouard Baille, Honoré de Balzac, Armand Barbès, Maurice Barrès, F. ... [details]
Exhibition checklist published in conjunction with show Private Treasures: Four Centuries of European Master Drawings held January 18 - April 8, 2007, Morgan Library, New York. Traveled May 6 - September 16, 2007, National Art Gallery, Washington, District of Columbia. ... [details]