April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
Large-scale compendium of artists' writings edited by Kristine Stiles and Peter Selz. Artists include Jackson Pollock, Mark Rothko, Robert Motherwell, Helen Frankenthaler, Joan Mitchell, Louise Bourgeois, Alfred H. ... [details]
![Journal [LAICA Journal]](/objects/images/s31758.jpg "Journal [LAICA Journal]")
April - May 1975 issue of Journal, edited by Charles Kessler. Contents include: "Introduction," by Charles Kessler; "Setting the Record Straight: Peter Selz, June Harwood, Karl Benjamin;" "The Soft Touch of Hard Edge," by Peter Plagens; "Herbert Jepson: An Interview," by Serge Gabrielson; "The Bongo-Bingo Art Scene," by Serge Guilbaut; "Los Angeles Photography, c. ... [details]
February 1967 issue of Arts and Artists. Edited by Mario Amaya. Contents include: "Warhol Strikes Poussin," by Christopher Finch; "Narcissus in Hades," by Brian O'Doherty; "The Paintings of Malcolm Morley," by Lawrence Alloway; "The Picasso Enigma," by Otto Hahn; "The Berkeley Symposium of Kinetic Sculpture," by Peter Selz; "Diary of an Art Dealer," by René Gimpel; "Gillray's Savage Eye," by Anthony Livesey; "Dog Days," by Simon Hodgson; "The Nart-Art of Donald Judd," by Martin Friedman; "London: In a Perfumed Garden," by Eddie Wolfram; "Germany: Between Fantasy and Conformism," by Jürgen Claus; "Salerooms," by Simon Fleet; "In View;" "Briefly;" "books," by Jeffrey Daniels and Eddie Wolfram; and "Gallery Guide. ... [details]
Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E. ... [details]
Exhibition catalogue published in conjunction with show held December 7, 1997 - March 11, 1998. Text by Andrea Hales, Milton Wexler, Peter Selz, and Robert Creeley. Includes checklist, exhibition history and bibliography. [details]
Fourth issue of Scrap, edited by Anita Ventura and Sidney Geist. Contents includes the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. [details]
Monograph on the works Agnes Denes. Texts by the artist and Robert Hobbs, Donald Kuspit, Peter Selz and Lowery Stokes Sims. Profuse color and black-and-white illustrations. Includes selected exhibitions and selected bibliography. [details]
Monograph on the works Agnes Denes. Texts by the artist and Robert Hobbs, Donald Kuspit, Peter Selz and Lowery Stokes Sims. Profuse color and black-and-white illustrations. Includes selected exhibitions and selected bibliography. [details]
Exhibition catalogue published in conjunction with show held in 1965. Introduction by Peter Selz. Includes chronology, exhibition checklist, and biography. Includes slipped in errata sheet. [details]
