Catalogue published on the occasion of the performance of the opera "THE SOCIETY ARCHITECT PONDERS THE GOLDEN GATE BRIDGE / ODER: WIE SIE KRIEGEN WAS SIE NICHT VERDIENEN," by Lawrence Weiner and Peter Gordon, held at National Galerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, September 8-10, 2000; and Kunst und Ausstellungshalle der Bundes Republik Deutschland, Bonn, November 8 & 11-13, 2000. ... [details]
Collaborative artist's book by longitme friends, with texts by John Baldessari, and photographs by Lawrence Weiner, somewhat in role reversal. [details]
Artist's book / exhibition catalogue published in conjunction with show held at Forum Kunst, Rottweil, Germany, February 7 - March 26, 1982, and studio f, Ulm, Germany, October 31 - November 28, 1982. ... [details]
Artist's book published in conjunction with "Acorn Event" held at "Coventry Cathedral on June 15, 1968, in which the couple famously created Acorn Piece, a conceptual sculpture in which acorns were planted facing east and west. ... [details]
Single sheet of wallpaper, printed on lightweight paper, utilizing two stacked images of Yoko Ono's ass. Planned and announced in Fluxusnewpaper, January 31, 1968, and originally credited in collaboration with Ben Vautier and later Robert Watts. ... [details]
February 1972 issue of Hit Parader, edited by Patrick J. Masulli. Contents include: "The Scene;" "Hard Versus Soft Rock: An Opinion from Steppenwolf's John Kay;" "King Curtis: Saxman's Sound," an obituary; "Moody Blues;" "Traffic's Stevie;" "Fast Flashes;" "John Fogerty of Creedence;" "Ginger Baker;" "Jack Bruce: The Images are More Meaningful;" "John and Yoko," interview with John Lennon and Yoko Ono following the completion of his album "Imagine" including a full bleed centerfold portrait of the couple; "Backstage with Sly and the Family Stone," an interview with Sly; "Mike Nesmith," an interview; "Complete Song Index: Words to Your Favorite Hits;" "Arrivals: Ian Matthews;" "We Read Your Mail;" and "Albums in Review. ... [details]
Contents include "Pleasant Dreams, John & Yoko," and interview with John Lennon and Yoko Ono by Paul, Susan, Dick and Tamar; photograph of Gary Snyder; "Earth House Hold," by Keith Lampe; article by Jane Albert; "There's DDT in Your Fatty Tissues"; "On the Road. ... [details]
December 3-9 issue of SoHo News. Issue edited by Josh Friedman. Cover stories include: "Yoko Only," Peter Occhiogrosso on Yoko Ono (issue released five days prior to John Lennon's death); "NY Right: Fighting for the Spoils," by John Buckley; "TV: Buying and Selling Culture," by Bob Brewin; "Anthony Burgess Bombs Out," by Don Shewey; "Spoiled Movie Brats," by Veronica Geng; "The Mormons' New Messiah: Koch for President?," by Joel Kotkin. ... [details]
May 1970 issue of Studio International. Edited by Charles Harrison. Contents include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
