Issue edited by Bice Curiger. Essays "Richard Prince: Notes Toward A Supreme Fiction," by James Lewis; "Real Monochrome Images," by Helmut Friedel; "Time Of Painting, Time Of Representation," by Ulrich Loock; "Franz Gertsch," by I. ... [details]
Issue edited by Bice Curiger. Essays "Moveable Structure / House In An Open Place," by Theodora Vischer and Maria Nordmann; "Pierre Klossowski," by Claude Ritschard; "Rereading A Fugitive Essay," by Howard Singerman; "The Theater Of The Mind," by Thomas Lawson; "Dialogues, Teachings," by Patrick Frey; "Baldessari's Timing," by James Lewis; "John Baldessari's True Colors," by Dave Hickey; "Excerpt From 'Maya. ... [details]
Issue edited by Bice Curiger. Essays "Sophie Calle: C'est Mon Plaisir," by Sheena Wagstaff; "Alighiero E Boetti," by Jean-Christopher Ammann; "Alighiero E Boetti," by Giovan Battista Salerno; "Alighiero e Boetti: The Difference between Invention and Exploration or from Geography to Experience with Two Maps," by Rainer Crone and David Moos; "The Halted Gesture Of Writing," by Friedemann Malsch; "Logic And Disruption In The Work Of Alighiero E Boetti," by Jean-Pierre Bordaz; "Franz West," by Herbert Lachmayer and Brigitte Felderer; "Mike Kelley: B-B-Bildung / C-Culture And B-Culture," by Jutta Koether; "War - Sign - War," "Inquiries On Afghan Rugs," by Friedrich Kittler; "Les Infos Du Paradis: Interview," by Trevor Fairbrother, Meyer Vaisman, Andy Warhol; "Cumulus From America," by David Rimanelli; "Cumulus Aus Europa," by Kimmo Sarje; "Balkon," by Bernard Marcadé. ... [details]
Issue edited by Bice Curiger. Essays "Interview Sigmar Polke," by Bice Curiger; "Modernism And Günther Förg's Photographs," by John Caldwell; "At The Crossroads Of Disciplines," by Catherine Queloz; "We Are Not Afraid / An Impossible Comparison," by Wilfried Dickhoff; "Philip Taaffe: History Is In The Making," by Jeff Perrone; "A Propos Philip Taaffe," by Edmund White; "Fragment On Ornament," by Francesco Pellizzi; "Philip Of Naples And The Evocative Geometry Of History," by G. ... [details]
November 1983 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "Interview with Enzo Cucchi," by Giancarlo Politi and Helena Kontova; "Twenty-First Century Slang," by Francesca Alinovi; "Black Folk Art," by Judd Tully; "Man Ray," by Man Ray; "Alfred Stieglitz," by Lynn Zelevansky; "From the invisible picture to the mute poem," by Gérard Georges Lemairel; "Flash Art News;" "A. ... [details]
Survey of young artists of the school of New York edited and with an introduction by B.H. Friedman. Contents include: "Helen Frankenthaler," by B.H. Friedman; "Robert Goodnough," by Barbara Guest; "Grace Hartigan," by Emily Dennis; "Jasper Johns," by Ben Heller; "Alfred Leslie," by James Schuyler; "Joan Mitchell," by Irving Sandler; "Raymond Parker," by Bill Godden; "Robert Rauschenberg," by David Harrison Myers; "Larry Rivers," by Frank O'Hara; "Jon Schueler," by Alastair Reid; and "Richard Stankiewicz," by Fairfield Porter. ... [details]
Exhibition catalogue published in conjunction with shows held in 70 different New York City galleries, the sales of which benefited the American Foundation for AIDS Research. Text by Robert Rosenblum and Matilde Krim, Ph. ... [details]
Spring 1977 issue of The Dumb Ox, a quarterly journal edited by James Hugunin and Theron Kelley. Contents include: "Untitled," by John Lanzone; "Acknowledgements;" "Introduction," by J. Hugunin; "A Talk with Ed Ruscha," interview by Gary Lloyd; "Pinocchio," by Claus Boehmler; "The Designated Blank Book," by Loren D. ... [details]
Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. ... [details]
Issue number two out (of six issues published) of the periodical It is. published from 1958 - 1965. Collated by P.G. Pavlia, directed by Sebastian Gallo. Contents include: "Dialogue Found in Brooklyn Cellar," by John Asher; "Sound, Noise, Varese and Boulez," by Morton Feldman; "On Innocence in Abstract Painting," by John Ferren; "Glossary," by Aristodimos Kaldis; "4 Excerpts," by Piet Mondrian; "Artaud: Review/Essay," by E. ... [details]