Artists' book created in an edition of 200, on October 24th, 1987, whose proceeds went to groups that assist people with AIDS. Organized by Geoffrey Hendricks after the death of Brian Buczak. Contributors include Andrea Evans, Brad Melamed, Simone Forti, Eric Andersen, John Goodyear, George Brecht, Takako Saito, Ted Victoria, Detlev Hartmann, Yansunao Tone, Joe Jones, Peter Downsbrough, Toby MacLennan, Nancy Spero, Louise Bourgeois, Bob Watts, Doug Kenney, Ray Johnson, Taylor Mead, Lawrence Weiner, Leon Golub, William K. ... [details]
Exhibition catalogue published in conjunction with show held December 13, 1968 - January 26, 1969. Includes a forward by Elayne H. Varian with an essay by Walter Gutman, with reproductions of works by Anne Arnold, A. ... [details]
Catalogue published in honor of the Storm King Art Center. Text by John Beardsley, with a foreward by J. Carter Brown, and an introduction by H. Peter Stern. Photographs by David Finn. Artists featured in the publication include Douglas Abdell, Saul Baizerman, Max Bill, Louise Bourgeois, Alexander Calder, Anthony Caro, Dorothy Dehner, Mark Di Suvero, Herbert Ferber, Richard Friedberg, Charles Ginnever, Emilio Greco, Robert Grosvenor, Gilbert Hawkins, Barbara Hepworth, Jim Huntington, Meashe Kadishman, Lyman Kipp, Jerome Kirk, Grace F. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Sculpture and Painting in Emilio Vedova's Studio in Venice," by Germano Celant; "Ground Up: Architecture without Architecture Critics: Ideal for the Architects," by Herbert Muschamp; "Turned Out: Richard Avedon, Sam Shepard, Joan Didion, and the Pull of the American West," by William Wilson; "Modern Life: Utopianism become Survialism - the Quantum Mechanics of Body-Building, in the West and in the East," by Carter Ratcliff; "Like Art: The New Ads and their Gift of Art. ... [details]
Issue edited by Ingrid Sischy. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Balancing Bigger and Smaller, Alberto Burri's Studio," by Ida Panicelli; "Modern Life: Close Encounters with Unidentified Flying Zeitgeists," by Carter Ratcliff; "Turned Out: Biology 101 invades Art History 407. ... [details]
Issue edited by Ingrid Sischy. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: A Park Grows in Paris. bernard Tschumi's La Villette Project"; "Modern Life: After the Loss of Challenger, the Cost of Instant Replay," by Carter Ratcliff; "Like Art: Surrealism with Everything on it," by Glenn O'Brien; "Turned Out: The Return of an Endangered Species - the Artist's Model," by William Wilson; "Ground Up: The Picturesque of the Urbanesque," by Herbert Muschamp; "The Cave: German Film's Archaeology of the Present Past," by Wolfram Schutte; "Speaker to Speaker: Blowing in the Wind or Facing Into It, Writing a Song or Crafting a Career - For Example, Bob Dylan," by Greil Marcus; "Building a Passage: Reflections on the Vision of Gae Aulenti," by Vittorio Gregotti; "The Imagination in Sheep's Clothing: Francois Boucher Delivered from the Guillotine of Taste, and 'Living Fragonardishly' Today," by Lisa Liebmann; "Courbet the Moon, Van Gogh the Wind: Glimpses of the Sound in a Seashell, Project for Artforum," by Pat Steir; "Through the Narrative Portal: Our Stake in the Plot Thickens," by Max Kozloff; "Wrestling the Image into Shape: Rebecca Howland's Vulture-Culture Sculpture," by Carlo McCormick; "Mel Bochner: Point to Point, the Thought of Emotion, The Feel of Thinking," by Jan Van Der Marck. ... [details]
Issue edited by Ida Panicelli. Essays "Museum Piece: Luke Gibbons on the Irish Museun of Modern Art," by Luke Gibbons; "Media Kids: Tom Kalin on Pussy Power," by Tom Kalin; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Troubleshooters: Fatimah Tobing Rony on Biodegradable Culture," by Fatimah Tobing Rony; "Democracy, Inc. ... [details]