Issue edited by Tim Griffin. Essays "Editor's Letter: Uses and Abuses," by Tim Griffin; "Passages: Liza Béar and Hans Haacke on Willoughby Sharp," by Liza Béar and Hans Haacke; "Books: Liz Kotz on Primary Information," by Liz Kotz; "Film: Amy Taubin on Kiyoshi Kurosawa's 'Tokyo Sonata,'" by Amy Taubin; "On Site: Catherine Wood on Jeff Koons and Tino Sehgal," by Catherine Wood; "Slant: Helen Molesworth on Catherine Opie and 'theanyspacewhatever,'" by Helen Molesworth; "Slant: Ina Blom on 'Whatever Happened to Sex in Scandinavia?" by Ina Blom; "Top Ten," by Stefan Tcherepnin; "In Conversation: Dara Birnbaum and Cory Arcangel"; "Cover Versions: The Reinvention of Music Video," by Michel Gondry, Barbara London, Rodney Graham, Michael Bell-Smith, Steina, Cao Fei, E*Rock; "Cut and Paste: The Collage Impulse Today," by Charlie White; "Authorial Intervention: The Art of Jacques Villeglé," by Tom McDonough; "1000 Words: Trevor Paglen," by Tom Vanderbilt; "Openings: Chu Yun," by Philip Tinari. ... [details]
Issue edited by Michelle Kuo. Essays "Film: Best of 2010," by John Waters, Amy Taubin, James Quandt, Mark Webber, Marie Losier; "Music: Best of 2010," by Bjorn Copeland, Femi Kuti, Masami Akita, Gudrun Gut, Eszter Balint; "Dance: Best of 2010," by David Velasco; "Books: Best of 2010," by David Velasco; "Books: Best of 2010," by T. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Paul Griffiths on Milton Babbitt," by Paul Griffiths; "Music: Cory Arcangel on Euro-Trance," by Cory Arcangel; "Slant: Okwui Enwezor on Ai Weiwei and Sharjah Biennial 10," by Okwui Enwezor; "Slant: Carol Armstrong on Paul Cézanne," by Carol Armstrong; "News: Catherine Wood on the Manchester International Festival," by Catherine Wood; "Film: Amy Taubin on Cristi Puiu's 'Aurora,'" by Amy Taubin; "Film: Steven Watson on Wynn Chamberlain's 'Brand X,'" by Steven Watson; "Archictecture: Owen Hatherley on Renzo Piano's Shard," by Owen Hatherley; "Top Ten," by Leilah Weinraub; "Acting Out: The Ab-Ex Effect," Introduction, Michelle Kuo; "Spatter and Daub: The Contradictions of Abstract Expressionism," by Harry Cooper; "Ab-Ex and Disco Balls: In Defense of Abstract Expressionism II," by Amy Sillman; "Close-Up: Carroll Dunham on William Baziote's 'Dwarf,'" by Carroll Dunham; "Depth Charge: Terry Winters talks with John Elderfield about Willem de Kooning"; "Close-Up: Jordan Kantor on Albert Oehlen's 'Fingermalerei,'" by Jordan Kantor; "Landmarks Preservation: Conserving the Monochrome," by Carol Mancusi-Ungaro; "Close-Up: Ann Temkin on Cy Twombly's 'Academy,'" by Ann Temkin; "Emptied Gesture: Roy Lichtenstein's 'Brushstrokes,'" by Graham Bader; "Close-Up: Molly Warnock on Georges Mathieu's 'Battle of the Bouvines,'" by Molly Warnock; "Signal Processing: Abstraction Then and Now," by David Joselit; "Close-Up: Mark Godfrey on Christopher Wool's New Work," by Mark Godfrey; "Eyes in the Heat: Jean Dubuffet, Cathy Wilkes, and Josh Smith," by Daniel Marcus; "Artists on Ab-Ex," by Rodney Graham, El Arakawa, Richard Prince, Jennifer West, Richard Jackson, Katharina Grosse, Jon Pestoni, Liang Yuanwei, Jacqueline Humphries, Katy Moran, Scott Lyall, Julian Schnabel, Lesley Vance, Nicole Eisenman; "Playing the Field: Computational Architecture and Abstract Painting," by Sean Keller; "1000 Words: Heimo Zobernig," by Achim Hochdörfer; "Openings: Matheus Rocha Pitta," by Irene V. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Achim Hochdörfer on Leo Steinberg," by Achim Hochdörfer; "Film: Amy Taubin on Lars von Trier's 'Melancholia,'" by Amy Taubin; "Fashion: Nick Mauss on Madame Grès at the Musée Bourdelle," by Nick Mauss; "Slant: Daniel Birnbaum on 'Atlas - How to Carry the World on One's Back?" by Daniel Birnbaum; "Music: Alan Licht on Van Dyke's Parks," by Alan Licht; "On Site: Nils Norman on the Copenhagen Free University," by Nils Norman; "On Site: Alex Farquharson on the Piccadilly Community Centre," by Alex Farquharson; "Top Ten," by Patti Smith; "Art in Los Angeles: Introduction," by Michelle Kuo; "Then and There: The Art of Chris Burden," by Anne M. ... [details]
Exhibition catalogue published in conjunction with show held November - December, 1963, in homage to Curt Valentin. Forewords by Ralph Colin and Will Grohmann. Tributes for Curt Valentin by Jean Arp, Marguerite Arp-Hegenbach, Alfred H. ... [details]
November 1966 issue of Arts Magazine. Cover features a full color reproduction of Jean Jansen's Girl in Red Standing Up. Contributors include Lawrence Alloway, Sol LeWitt, Mel Bochner, Al Hansen, Robert Smithson, Nicolas Calas, Lil Picard, Rolf-Gunter Dienst, John Lucas, Laila Damiano, Jud Yalkut, Richard Feigen, Allon Schoener, Charles Mingus, G. ... [details]
February 1967 issue of Arts Magazine. Cover features color reproduction of work by Allan D'Arcangelo. Edited by Joseph James Akston, with written contributions by Lawrence Alloway, Nicolas Calas, Alfred Werner, John Lucas, Lil Picard, Laila Damiano, Alexander Tzonis, Jud Yalkut, Kenneth Brown, Andy Warhol, Frederic Tuten, Martial Raysse, Samuel Kootz, Allan Kaprow, Robert Smithson, Otto Hahn, Billy Apple, Dr. ... [details]
April 1973 issue of Arts Magazine. Cover features Richard Serra's "Shift." Contributors include Andrei Boris Nakov, Jean-Claude Bonne, Willis Domingo, William C. Lipke, Cindy Nemser, Richard Serra, Rosalind Krauss, Jack Burnham, Howard Fried, Dan Graham, Bruce Boice, John Loring, Cara Montgomery, Paul Stitleman, Rosemary Mayer, Robert Pancoast Smith, Jane Bell, Ellen Lubell, Bill Dykes, Nancy Murray, Judith Tannenbaum, Andre Mikotajuk, and Gordon Brown. ... [details]
"This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. ... [details]
Primary Information's 2008 republication of the Art Worker's Coalition's 1969 "Open Hearing" and "Documents 1." "Open Hearing" is the report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
