Exhibition catalogue published in conjunction with show held October 22 - December 12, 1982. Curated by Brooks Johnson and Thomas W. Styron. Artists include Mac Adams, John Ahearn, Thomas Barrow, Jean-Michel Basquiat, Paul Cava, Jay Coogan, Vernon Fisher, Keith Haring, Gerald Incandela, Michael Lucero, Kim MacConnel, Ann McCoy, Duane Michals, Donald Newman, Izhar Patkin, Doug Prince, Judy Rifka, David Salle, Italo Scanga, Julian Schnabel, Gary Stephan, Alan Vega, William Wegman, Lynton Wells and David White. ... [details]
A survey of contemporary architecture published in 1982. "Anyone interested in sorting out the diversities and complexities of contemporary architecture - and in speculating on the future shape of contemporary architecture - and in speculating on the future shape of our homes and cities - will enjoy this spirited, up-to-the-minute book. ... [details]
Exhibition catalogue published in conjunction with show held at the Walker Art Center, Minneapolis, September 12 - November 14, 1982. Exhibition traveled to the International Center of Photography, New York, January 13 - February 27, 1983; the Frederick S. ... [details]
November 18-24, 1981 issue of SoHo News. Issue edited by John Leese. Cover stories include: "Sex Makes You Sick," by Lois Draegin; "Inside Terpil's CIA," by Joe Pennington and Stanley Pinsley; "Allen Ginsberg Howls Again," by John Tytell; "Vietnam: Painted War," by Bob Brewin; "Time Bandit: Disarmed & Dangerous," by Michael Musto; and "Russian Dressing: Designed for Revolution," by Margaret Betz; and "Murdoch Spanks Post!" Additional art reporting includes "Art 1," John Perreault on energism; and William Zimmer on Carlo Maria Mariani, Thomas Nozkowski, and others. ... [details]
Issue edited by Ingrid Sischy. Essays "'Du Hast Keine Chance. Nutze sie!' With It and Against It: Tendencies in Recent German Art," by Wolfgang Max Faust; "Architecture and Limits III. Introduction," by Bernard Tschumi; "Architecture and Limits III. ... [details]
Issue edited by Ingrid Sischy. Essays "Public Sculpture II: Provisions for the Paradise," by Kate Linker; "Personal Sensibilities in Public Places," by John Beardsley; "Alexandra Exter's Designs for the Theater," by Ronny H. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R. ... [details]
Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]