Exhibition catalogue published in conjunction with show held at Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, September 27 - December 31, 2002. Traveled to The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York, April 5 - June 22, 2003; Contemporary Arts Museum, Houston, Texas, July 12 - September 14, 2003; New Museum of Contemporary Art, New York, October 10, 2003 - February 10, 2004; Henry Art Gallery, University of Washington, Seattle, March 25 - July 18, 2004. ... [details]
Exhibition catalogue for show held March 23 - April 20, 1973, traveling to University Art Museum, Berkeley, University of California, January 16 - February 24, 1974. Classic compendium of artists' books with texts by Hershman and Perreault. ... [details]
Single-sided poster produced to promote event "Ten Years of New Video, Dance and Music : Aluminum Nights," held June 14 -15, [1981]. Poster design by Jo Bonney and Robert Longo. Event featured Glenn Branca, David [Byrne who's last name is inked out on poster], DNA Douglas Dunn Dancers, Fab Five Freddy & Friends, John Giorno, Philip Glass Ensemble, Leroy Jenkins Quintet, Love of Life Orchestra, Raybeats, Zev, Laurie Anderson, Robert Ashley, Bush Tetras, Rhys Chatham, Laura Dean Musicians, George Lewis, Meredith Monk, Bebe Miller Dancers, Steve Reich Musicians, Vedo [Devo inked out on poster], Dan Ackroyd, Eric Bogosian, Boojie Boy, Lisa Fox, Pat Oleszko, Terry Southern, Advanced TV, Tom Bowes, Brian Eno, Nam June Paik, Steina Vasulka. [details]
Exhibition catalogue published in conjunction with show held January 20 - April 9, 1975. Curated by John Hanhardt, Barbara Haskell, James Monte, Elke Solomon, and Marcia Tucker. Foreward by Tom Armstrong, director of the Whitney Museum. ... [details]
Two record anthology of artist's aural work and music. Artists include Vito Acconci, Laurie Anderson, Jacki Apple, Connie Beckley, Jim Burton, Diego Cortez, Terry Fox, Jana Haimsohn, Julia Heyward, Leandro Katz, Meredith Monk, Richard Nonas, and Dennis Oppenheim. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
September 1988 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Joan Simon, Eleanor Hartley, Holland Cotter, John Ash, Stephen Westfall, Brooks Adams, Ken Johnson, Paul Smith, Carl Little, Walter Thompson, Suzaan Boettger, Gerrit Henry, Lawrence Campbell, Walter Thompson, Donald B. ... [details]
Critical history of the art scene in San Francisco between 1945 and 1995 by Thomas Albright. Artists include Thomas Albright, George Abend, Arlo Acton, Ann Adair, Lee Adair, Mark Adams, Tom Akawie, James Alberson, Maxine Labro, Robert Alexander, William Allan, Boyd Allen, Gary Allen, Jesse Allen, John Almond, Alex Anderson, David Anderson, Jeremy Anderson, Steven Andresen, Ruth Armer, Victor Arnautoff, Robert Arneson, Ruth Asawa, Olive Ayhens, Heléne Aylon, Mowry Baden, Jennifer Badger, Martin Baer, Clayton Bailey, Jerrodl Ballaie, Joel Barletta, Carroll Barnes, Matthew Barnes, Raymond Barnhart, John Battenberg, John Baxter, Bruce Beasley, Paul Beattie, Mona Beaumont, Robert Bechtle, Scott Bell, Cleveland Bellow, Jordan Belson, Fletcher Benton, Elio Benvenuto, Richard Berger, Henrietta Berk, Wallace Berman, Roger Berry, David Best, Bernice Lee Bing, Elmer Bischoff, Sue Bitney, Ed Blackburn, Ronald Bladen, Dianne Blell, J. ... [details]
Issue edited by Philip Leider. Essays "Two Contributions to the Art and Science Muddle: 1. Constructivism and its Confusions," by Terry Fenton; "2. A Report on a Symposium," by Grace Marmor Spruch; "Late Fifties at the Ferus," by Billy Al Bengston; "Charles Sheeler, American Pastoral," by Hilton Kramer; "Edward Avedisian's New Paintings," by Alexandra C. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Greil Marcus on Captain Beefheart," by Greil Marcus; "Books: Terry Eagleton on François Dosse's 'Deleuze & Guattari,'" by Terry Eagleton; "Books: Joachim Pissarro and David Carrier on Thomas Kinkade," by Joachim Pissarro; "Film: James Quandt on Michelangelo Frammartino's 'Le Quattro Volte," by James Quandt; "Film: Melissa Anderson on Clio Barnard's 'The Arbor,'" by Melissa Anderson; "Film: Tim Griffin on Werner Herzog's 'Cave of Forgotten Dreams,'" by Tim Griffin; "On Site: Alan Licht on Sue de Beer's 'The Ghosts,'" by Alan Licht; "On Site: Nathan Dunne on the Sergei Paradjanov Museum," by Nathan Dunne; "Top Ten," by Christian von Borries; "Close-Up: A RRose in Berlin," Hal Foster on Marcel Duichamp's "Belle Haleine"; "To Be Determined: An Interview with John Armleder," by Fabrice Stroun; "Circling the Square: Archictecture and Revolution in Cairo," by Nasser Rabbat; "1000 Words: Robert Whitman," by Liz Kotz; "A Revolution in Film: The Cinema of Dziga Vertov," by John Mackay; "Openings: Jan Timme," by André Rottmann. ... [details]