"Real Life Magazine : Selected Writings and Projects 1979 - 1994 highlights a selection of writings and artists' projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. ... [details]
Issue edited by Philip Leider. Essays "The Art of H.C. Westermann," by Dennis Adrian; "The Constructivist Ethos, Part I," by Ronald Hunt; "New Paintings by Albert Stadler," by Kermit Champa; "Chuck Ginnever," by Lawrence Alloway; "Problems of Criticism, I: Varieties of Critical Experience," by Robert Goldwater; "Morandi: A Critical Note and a Memoir," by Sidney Tillim; "The Trouble with Russian Painting," by Robert Pincus-Witten; "Bruce Conner Makes a Sandwich," by Bruce Conner. ... [details]
One of the most important publication of the 1970s conceptualism edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Only three issues published between 1975 and 1976. ... [details]
Untitled publication issued, without attribution by Feature Gallery, circa 2010. Includes contributions by Oren Slor, Matthew Higgs, Paul Thek, Raymond Pettibon, Sam Gordon, Rene Santos, Lily van der Stokker, B. ... [details]
Exhibition catalogue published in conjunction with show held October 7, 2020 - January 17, 2021. Organized and with texts by Claire Gilman, Rosario Güiraldes, Laura Hoptman and Isabella Kapur. Artists include Uri Aran, Michael Armitage, Ed Atkins, Rina Banerjee, Alvaro Barrington, Gina Beavers, Meriem Bennani, Sadie Benning, Katherine Bernhardt, Amy Bravo, Cecily Brown, Amy Lien & Enzo Camacho, Maurizio Cattelan, Paul Chan, Milano Chow, Fransceso Clemente, R. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Jack Bankowsky. Essays "Books: Yve-Alain Bois on catalogues raissonés," by Yve-Alain Bois; "Slant: Hilton Als on Frank O'Hara," by Hilton Als; "Film: Peter Plagens on Charles and Ray Eames," by Peter Plagens; "Vernon Shetley on 'Titanic: Anatomy of a Blockbuster," by Vernon Shetley; "®™ark: Reena Jana on 'Mori,'" by Reena Jana; "Passages," by Patrick Heron, Raghubir Singh, and Harry Callahan; "Top Ten: Art Club 2000"; "Sovereign Remedy: The Art of Shirin Neshat," by Ronald Jones; "The Wild East: The Rise and Fall of the East Village," by Carlo McCormick, Gary Indiana, David Robbins, Liza Kirwin, Peter Nagy, Dennis Cooper, Glenn O'Brien; "The East Village 1979 - 1989: A Chronology"; "Wayne Thiebaud: Green River Lands, 1998," by Richard Wollheim; "Openings: Malerie Marder," by katy Siegel. ... [details]
Issue edited by Jack Bankowsky. Essays "Passages: Justin Spring on Paul Cadmus," by Justin Spring; "Passages: Carlo McCormick on Martin Wong," by Carlo McCormick; "Dennis Cooper on 'American Psycho,'" by Dennis Cooper; "Peter Bowen on Sundance 2000,'" by Peter Bowen; "David Rimanelli on Julian Stallabrass's 'High Art Lite,'" by David Rimanelli; "Hotlist: Marc Lafia," by Marc Lafia; "Saul Anton on 'Other Rooms, Other Voices,'" by Saul Anton; "Adem Lehner on Lawrence Rinder," by Adem Lehner; "James Surowiecki on eToys vs. ... [details]
Issue edited by Tim Griffin. Essays "Thomas Crow on the School of Pop," by Thomas Crow; "Clement Greenberg on Pop Art," by Clement Greenberg with an introduction by James Meyer; "Lawrence Alloway on Pop Since 1949," by Lawrence Alloway with an introduction by Nigel Whiteley; "Bruce Hainley on 'Transformer,'" by Bruce Hainley; "Jan Tumlir on Destroy All Monsters," by Jan Tumlir; "David Deitcher on Spiritual America," by David Deitcher; "Thomas Lawson on 'Infotainment,'" by Thomas Lawson; "Kate Bush on Young British Art," by Kate Bush; "Graham Bader on 'High & Low," by Graham Bader; "Michael Wilson on 'Just Pathetic,'" by Michael Wilson; "Robert Rosenblum on 'Post Human,'" by Robert Rosenblum; "Howard Singerman on 'Helter Skelter,'" by Howard Singerman; "Kitty Hauser on 'Superflat,'" by Kitty Hauser; "My Warhol," by Charles Ray, Richard Prince, Pierre Huyghe, Collier Schorr, Rachel Harrison, Wayne Koestenbaum, Maurizio Cattelan, Peter Halley, David Robbins, Cady Noland, Paul Sietsema, Thomas Hirschhorn, Kara Walker, and Takashi Murakami; "My Pop," by Jonathan Horowitz, Dave Muller, Chris Ofili, Inez van Lamsweerde, Banks Violette, Jason Rhoades, Andrea Bowers, Gary Hume, Isaac Julien, Karen Kilimnik, Kelley Walker, Raymond Pettibon, Urs Fischer, Assume Vivid Astro Focus, Gelatin, Rob Pruitt, Stefano Arienti, Paul Pfeiffer, Richard Hawkins, Tom Sachs, and Dara Birnbaum; "Sampling the Globe," by Daniel Birnbaum; "Pop Life: Los Super Elegantes," by David Rimanelli; "Performing the System," by Tom Holert; "Performing the Self: Martin Kippenberger," by Alison M. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Gerald Marzorati on Leon Golub," by Gerald Marzorati; "On Site: Norman L. Kleeblatt on La Maison Rouge," by Norman L. Kleeblatt; "Tech: Pamela M. Lee on the Demise of the Slide Projector," by Pamela M. ... [details]