February 1971 issue of Studio International, edited by Peter Townsend. Contents include: "A Smart Set of concepts," by Suzi Gablik; "Aaaargh! indeed," by Andrew Higgens; "The American Juggernaut," by Hilton Kramer; "Correspondence;" "News and Notes;" "The Sociology of Knowledge," by Jonathan Benthall; "Andy Warhol as a film maker," Paul Morrissey interviewed by Derek Hill; "Strindberg and the arts," by Tore Håkansson; "Interview with Konrad Fischer," by Georg Jappe; "UK Commentary," by Timothy Hilton; "Sydney commentary," by Donald Brook; "Linguistics: an eye-witness account," by Gareth Jones; and "Inno 70," by John Latham. ... [details]
March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner;" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. ... [details]
June 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Gurgles around the Guggenheim," statements and comments by Daniel Buren, Diane Waldman, Thomas M. Messer, Hans Haacke; "Correspondence;" "David Bohm and the Rheomode," by Jonathan Benthall; "Letter from Prague," by Jindrich Chalupecky; "Some Thoughts on 'Art and Technology,'" by Jane Livington; "The information fall-out," by Les Levine; "UK Commentary," by Tim Hilton; "The Rothko Chapel at Houston," by Dore Ashton; "Dutch Artists on Television," by Carel Blotkamp; "The art-lesson," by Richard Wollheim; "Inno 70," by John Latham; "Supplement on prints and graphics," including Donald H. ... [details]
July / August 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "What is Reality? The Theme of Documenta 5," by Georg Jappe; "This Spring in West Germany," by Robert Kudielka; "Science in Art," by Marcello Salvadori; "Correspondence;" "News and Notes;" "Experimental Art: Stubbs to Sonfist," by Jonathan Benthall; "Sydney: Art in the Universities," by Donald Brook; "'True Patriot Love': Joyce Wieland at the National Gallery of Canada;" "Bridget Riley," by David Thompson; "Three Shows at the Hayward: Hodler and Böcklin," by Frank Whitford and "Henri Laurens," by William Tucker; "Letter from Bucharest," by Radu Varia; "A Tail of Two Exhibitions," by Barbara Reise; "Background to the Foreground: The Haacke Exhibition History," by Edward Fry and Thomas M. ... [details]
November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP; "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. [details]
