Issue edited by Ida Panicelli. Essays "Expertise: Neil Smith on Making M/other Nature," by Neil Smith; "The Cave: Greg Tate on 'Looking for Langston,'" by Greg Tate; "Books: Mira Schor on Remedios Varo," by Mira Schor; "Exits and Entrances: Peter Stellars on Opera," by Peter Stellars; "Troubleshooters: David Sternbach on the Trials of Men," by David Sternbach; "Special Effects: Carol Squiers on the New Racism," by Carol Squiers; "Lili Dujourie's Image and Afterimages," by Michael Tarantino; "We Eat We Are Eaten: A Project for Artforum," by David Byrne; "A Systematic Bewildering: The Art of John Baldessari," by Colin Gardner; "On Gérôme, Bouguereau, Ingres, and 'They Died with their Boots on: Notes from a Journal," by Sidney Tillim; "Stages of Strehler," by Maria Nadotti; "The Word Unspoken," by Pat Steir; "Critical Reflections," by Bice Curiger; "Narrative Art: Twelve Artists on the Year's Books," by Papo Colo, Jessica Diamond, Braco Dimitrijevic, Michele Oka Doner, Candida Höfer, Cristina Iglésias, Alfredo Jarr, Robert Kushner, Hirsch Perlman, Lucio Pozzi, Stephen Prina, Nancy Spero. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: Barbara Ehrenreich on the Moral Majority," by Barbara Ehrenreich; "Democracy, Inc.: Gary Indiana on Censorship in the Arts," by Gary Indiana; "The Cave: Jeanne Silverthorne on 'Batman,'" by Jeanne Silverthorne; "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Environment: Molly Hankwitz on Ideal Cities," by Molly Hankwitz; "Like Art: Glenn O'Brien on Video Games," by Glenn O'Brien; "Remote Control: Barbara Kruger on Television," by Barbara Kruger; "Undertone: David Sternbach on Rap," by David Sternbach; "At First Light: A Glance at the Discovery and Early Years of Photography," by Amy Baker Sandback; "Parts and Parcels: Thomas Virnich," by Annelie Pohlen; "Cubist Hypochondria: On the Case of Picasso and Braque," by Donald Kuspit; "This is Only a Test: Chris Burden," by C. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: John Howell on Voguing," by John Howell; "Folio: Andrew Solomon on Bookbinding," by Andrew Solomon; "Believe It of Not: J. Hoberman on American Myths," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "The Arc of a diver - Judy Pfaff," by John Yau; "Vienna and Her Sisters, A Parable, with Strings," by Lisa Liebmann; "The Art of Filming Painting: Derek Jarman and Caravaggio, Peter Greenaway and Jan Vermeer, Paul Leduc and Frida Kahlo," by Wolfram Schutte; "Taking Liberty with Symbols," by Herbert Muschamp; "The Tourist Industry's Dramamine Against Terrorism: Seeing the World Through Travel Ads," by Glenn O'Brien; "The Big Fight. ... [details]
Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. ... [details]
Issue edited by Ingrid Sischy. Essays "Figuring it Out," by Klaus Kertess; "Visions and Re-Visions," by Moira Roth; "Slouch Stretch Smile Leap," by Carol Squiers; "Lisa Lyons," by Robert Mapplethorpe; "Editorial," by Ingrid Sischy; 'Action and Abstraction," by Mary Delahoyd; "Carolee Schneemann: The Woman Who Uses Her Body as Her Art," by Ted Castle; "The Doctors," by Stanley B. ... [details]
Issue edited by Ingrid Sischy. Essays "An Imprint Is Never Alone," by René Denizot; "Architecture and Limits: Introduction," by Bernard Tschumi, "The Writing of the Walls," a project by Anthony Vidler, and "Masque," a project by John Hejduk; "The 18th New York Film Festival," by J. ... [details]
Issue edited by John Coplans. Essays "The Instrumental Image: Steichen at War," by Allan Sekula; Television: Video's Frightful Parent, Part I, by David Antin; "Neutralizing 'The Age of Revolution," by Carol Duncan; "Art of the Third Reich: Documents of Oppresion," by Manuela Hoelterhoff; "Images of the Chinese People," by Peter Walch. ... [details]
Issue edited by John Coplans. Essays "Camera Lucida/Camera Obscura," by Annette Michelson; "Eisenstein on Mayakovsky," by Sergei Eisenstein; "Stan Brakhage: Four Films," by Paul Arthur; "The Third Meaning: Notes on Some of Eisenstein's Stills," by Roland Barthes; "'Scenes From Under Childhood,'" by Phoebe Cohen; "For God and Country," by Noël Carroll; "Montage 'October': Dialectic of the Shot," by Rosalind Krauss; "'Western History' and 'The Riddle of Lumen,'" by Fred Camper; "Stan and Jane Brakhage, Talking," by Hollis Frampton; "Brakhage Filmography," by Joyce Rheuban. ... [details]
