History of Max's Kansas City with over 200 black and white photographs, profiles, memorabilia, and hundreds of personal reminiscences and testimonials. Texts by Yvonne Sewall Ruskin, Lou Reed, Leee Black Childers, Kent Wallace, Taylor Mead, Gerard Malanga, Cherry Vanilla and Jeremiah Newton. ... [details]
Artist's book by Eric Fischl and Jerry Saltz. Developed around the idea of "What's the one best assignment you could give an art student? What is the best question you could ask an art Student to answer?" Saltz interviewed a variety of artists and Fischl edited each interview down to a few lines and created a book of revelations on art making. ... [details]
Facsimile reprinted edition of the full five volume run of Art-Language in 21 volumes housed in a printed slipcase. Includes an introduction to the facsimile edition and an author index and title index. ... [details]
![Seis Años : La Desmaterialización del Objeto Artístico de 1966 a 1972 [ Six Years : The Dematerialization of the Art Object from 1966 to 1972 ]](/objects/images/s5967.jpg "Seis Años : La Desmaterialización del Objeto Artístico de 1966 a 1972 [ Six Years : The Dematerialization of the Art Object from 1966 to 1972 ]")
Spanish language edition of an essential source book, "Six Years : The Dematerialization of the Art Object from 1966 to 1972," compiling the documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. ... [details]
Essential source book of documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. Documents the activities, day by day, month by month, year by year of artists including Vito Acconci, Bas Jan Ader, Dennis Adrian, Carl Andre, Eleanor Antin, Keith Arnatt, Art-Language, Richard Artschwager, Michael Asher, David Askevold, John Baldessari, Robert Barry, Frederick Barthelme, N. ... [details]
Compendium of three facsimile artists' books by Lawrence Weiner produced as single volume consisting of: "Within Forward Motion," (1973); "Towards a Reasonable End," (1975); and "With a Touch of Pink," (1978). ... [details]
"How did a small art college in Nova Scotia become the epicenter of art education--and to a large extent of the postmimimalist and conceptual art world itself--in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. ... [details]
Exhibition catalogue published in following show held at Office for Contemporary Art Norway, Oslo, Norway, November 8, 2008 - January 31, 2009. "''Whatever Happened to Sex in Scandinavia?'' is a reader that brings together essays, artists'' writings and works, and countercultural publications to examine the juncture of the political and the erotic during the 1960s and 70s. ... [details]
Essential source book of documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. Documents the activities, day by day, month by month, year by year of artists including Vito Acconci, Bas Jan Ader, Dennis Adrian, Carl Andre, Eleanor Antin, Keith Arnatt, Art-Language, Richard Artschwager, Michael Asher, David Askevold, John Baldessari, Robert Barry, Frederick Barthelme, N. ... [details]
Catalogue raissoné of the artists' books of Peter Downsbrough. Edited by Moritz Küng with a forward by Ira G. Wool. Includes a biography compiled by Kaatje Cusse and 64 pages conceived by Peter Downsbrough. ... [details]
