"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. ... [details]
Exhibition catalogue published in conjunction with show held at Stedelijk Museum, Amsterdam, The Netherlands, September 21, 1996 - November 10, 1996. Traveled to Calouste Gulbenkian Foundation, Lisbon, Portugal, June - August, 1997; and Musée d'Art Contemporain, Dunkirk, France, September - December, 1997. ... [details]
July - August 1979 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "Chicago," by Carrie Rickey; "Detroit, Minneapolis, Kansas City, St. Louis," by Sarah McFadden; "Columbus," by Donald B. ... [details]
![Journal [LAICA Journal]](/objects/images/s39525.jpg "Journal [LAICA Journal]")
Winter 1986 issue of JOURNAL, edited by Lane Relyea. Includes "Travelog : If You Die in the University Hospital," by Michael Lesy; "Seduction and Submission : A Study fo Ecstasy," edited by Connie Fitzsimons, with contributions and projects by Jochen Gerz, William S. ... [details]
"Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N. ... [details]
"In 1979, the artist collective Group Material opened a storefront at East 13th Street on New York's Lower East Side, from which they launched exhibitions—45 in all—that radically overhauled curatorial thought, setting art alongside artifacts, documentary material and storebought objects, within exhibitions that were oriented around topical social concerns. ... [details]
Issue edited by Bice Curiger. Essays "Vija Celmins," by Sheena Wagstaff; "Larry Clark: What Is This?," by Jim Lewis; "Working With Success - Working With Unsuccess," by Rudolf Bumiller; "Imi Knoebel and Grace Kelly: The High," by Rainer Crone / David Moos; "Imi Knoebel First Impressions," by Lisa Liebmann; "The Transgressions of Sherrie Levine," by Daniela Salvioni; "Presence Withdrawn," by Erich Franz; "Looking After Sherrie Levine," by Howard Singerman; "Making Work And Turning York Back On It: Bethan Huws," by Liam Gillick; "The Work of Art as the Ideal Center for Human Beings Walter De Maria's the 2000 Sculpture," by Thomas Kellein; "Les Infos Du Paradis," by International Time Capsule Society; "Cumulus From America," by Ralph Rugoff; "Cumulus Aus Europa," by Robert Fleck; "Balkon," by Jeanne Silverthorne. ... [details]
Exhibition catalogue in two volumes for show held at the Museum of Fine Arts, Boston, Massachusetts, 1971. First book includes an essay by David Antin, and biographies of the artists in the exhibition, as well as a selected bibliography. ... [details]
Issue edited by Bice Curiger. Essays "The Aesthetic Illusion," by Jean Baudrillard; "Ray's Tack," by Peter Schjeldahl; "All For One and One For All," by Robert Storr; "Some Bodies," by Klaus Kertess; "Charles Ray's still lifes," by Christopher Knight; "Edition For Parkett," by Charles Ray; "The Soul is the Body's Envelope," by Denys Zacharopoulos; "Pelops' Meal," by Elisabeth Schlebrügge; "Conversation," by Harald Szeemann; "Sex in the Afternoon," by Jan Avgikos; "Collaboration and the Issue of Completion," by Martin Prinzhorn; "3 or 17," by Franz West and Axel Huber; "Edition For Parkett," by Franz West; "Silent Music: Luc Tuymans," by Hans Rudolf Reust; "Les Infos Du Paradis: Inquiry," by unattributed artists; "Cumulus Aus Europa," by Gertrud Sandqvist; "Cumulus From America," by Gary Michael Dault. ... [details]
