Issue edited by Bice Curiger. Essays "Jana Sterbak: Chaos and Self-Creation," by Richard Noble; "Max Neuhaus: Invisible sculpture-molded sound," by Doris von Drathen; "Three Impromptus on the Art of Gerhard Richter," by Jean-Pierre Criqui; "Endless Finalities," by Peter Gidal; "The tragic desire," by Birgit Pelzer; "Sequence of Time," by Gertrud Koch; "Richter in Tahiti," by Dave Hickey; "Lèche Vitrine," by Peter Fleissig; "Dieter Roth: Garbage Clarified," by Patrick Frey; "Meyer Vaisman flips the bird," by Trevor Fairbrother; "Les Infos Du Paradis," by Roselee Goldberg; "Cumulus From America," by Paul Taylor; "Cumulus Aus Europa," by Hans Rudolf Reust; "Balkon," by Claudia Gould. ... [details]
July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. ... [details]
Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. ... [details]
September 1971 Special Film Issue of Artforum, edited by Philip Leider. Contents include: "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff; and "'The Chelsea Girls,'" by Stephen Koch. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Cambridge, MA, March 4 - July 16, 2007, organized by Cornelia H. Butler and Lisa Gabrielle Mark. "There had never been art like the art produced by women artists in the 1970s--and there has never been a book with the ambition and scope of this one about that groundbreaking era. ... [details]
1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. ... [details]
August-September 1975 issue of Journal, edited by Peter Clothier. Contents include: "Editorial Comment," by Peter Clothier; "'We the People,' a Proposal," by Joyce Shaw; "Thoughts Toward Two Art Pieces," by David MacDermott; "Up from the Hole," by Tom Edwards; "Cast Aspersions," by Tim Spain; "Libra Piece," by David Antin; "Of What Use Are They: Women in Industry," by Barbara T. ... [details]
Issue no. 7 of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "New York / Paris," by Barre Phillips; "Jazz Visuals," by Arthur Beatty; "a Pierre et Marie," by Claude Gintz; "Pointed Portraits," by Chalkie Davis, Paula Court, Robert Mapplethorpe, and Philippe Cazal; "Pina Bausch;" "Ingrid Caven;" "Richard Foreman;" "Honneur, Puissance et Amour des Femmes," by Craig Owens; "Willy Ronis;" "Figuration: Libre?," by Remy Blanchard, Calum Fraser, Louis Jammes; "Entre Chien et Loup," by Aude Bodet; "Portfolio: Originaux," Jean Goussebaire-Dupin, Bernard Frize, Daniel Buren, Gerard Garouste, Sarkis, Joan Logue, and Bill Woodrow; "Malcolm Morley;" "Dialogue: Bernard Lamarche-Vadel;" "Richard Prince;" "Robert Kramer;" "John Fekner;" "Jean Jacques Schuhl;" "Jacques Minnasian;" and "Lizzie," by Eve Zheim. ... [details]
Issue number two out (of six issues published) of the periodical It is. published from 1958 - 1965. Collated by P.G. Pavlia, directed by Sebastian Gallo. Contents include: "Dialogue Found in Brooklyn Cellar," by John Asher; "Sound, Noise, Varese and Boulez," by Morton Feldman; "On Innocence in Abstract Painting," by John Ferren; "Glossary," by Aristodimos Kaldis; "4 Excerpts," by Piet Mondrian; "Artaud: Review/Essay," by E. ... [details]
Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R. ... [details]