Issue number four of the CalArts student arts and letters periodical wALT. Edited by Kevin Heslin, Jennifer Murphy, EAM, and Janet Schickling. Contents include: "Editorial;" "Letters to the Editors;" "Mr. ... [details]
Winter 1984 of the CalArts student arts and letters periodical Walt. Edited by Kevin Heslin and Jennifer Murphy. Contents include: "Editorial," by The Editors; "Evolution of the Stereotype," by Ken Bruce; "So What About the Election," by Andrea Beane; "CalArtian Eyesight," by Mike McCurry; "Political Action Committee Survey Results," by Jennifer Murphy; "[The Bombing Begins in 5 Minutes," by David Fulp; "Interview with Laurel Beckman," by Kake Sorensen; "[Try and write a story. ... [details]
April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman; "Ambitious: A project for Artforum," by Janet Zweig. ... [details]
Issue seventeen / eighteen of Real Life Magazine, edited by Thomas Lawson. Contents include: "An Open Letter to Donald Kuspit," by Adrian Piper; "Frontiers of Chaos," by Peter Coates and Maria Reidelbach; "Huelgamos," by Raul Cristancho and Graham Stewart; "When X Does Not Equal Y," by Susan Morgan; "Lost and Found: An Archeological Composition," by Alex Caldiero and David Furman; "Thunder Mountain;" "The Architect as Superman," by John A. ... [details]
April 19 - 25, 1974 issue of Berkeley Barb, edited by David Armstrong. Contents include: "Is SLA's Cinque the First Black Lee Harvey Oswald?," by Mae Brussell and Stephanie Caruana; "Teachers in Secret Vote Over Strike," by Avis Worthington; "Has Abbie Jumped Bail in Coke Case?," "People's Park Plan May Get Rector's Name;" "Cinque Called Police Patsy," by Sgt Pepper; "Newsman Busted;" "Coalition Makes Move: Oil Moguls Challenged," by Frederick U. ... [details]
June 14-20, 1974 issue of Berkeley Barb, edited by Jim Schreiber. Contents include: "Deflower Bay Park: They're Killing Your Land," by Sam, Evan, Goose, & Zapata; "Rumpleforeskin's Column: Hitchin' the Source, Patty Safe with FBI," by Paul Krassner; "Push Indians Over Brink;" "Ruschell MaGee Writes;" "City Faces Suit After Firing PRC Investigator," by Avis Worthington; "Preventive Dentistry at Free Clinic;" "Union City Cop Chief Shot at Meeting;" "Major Economic Collapse Due by End of Year;" "Striking Nurses Seek Improved Pension Rights," by Avis Worthington, photo by Sam Silver; "Inquisition by Grand Jury," by Kathie Streem; "An End to 'Bombs III'?;" "Crim Lineup," by Ad Hoc; "Gays Give Cops A Crash Course," by Jennifer L. ... [details]
Exhibition catalogue published in conjunction with the inaugural iteration of the quinquennial exhibition "Greater New York" held February 27 - May 14, 2000. The exhibition marked the first curatorial collaboration between PS. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: John Howell on Voguing," by John Howell; "Folio: Andrew Solomon on Bookbinding," by Andrew Solomon; "Believe It of Not: J. Hoberman on American Myths," by J. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Ida Panicelli. Essays "Curies' Children: Vilem Flusser on Science," by Vilem Flusser; "Exits and Entrances: A Project for Artforum," by Marianne Goldberg; "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "Believe It or Not: J. ... [details]