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Greater New York : New Art in New York Now
  • exhibition catalogue
  • illustrated wrappers
  • offset-printed
  • glue bound
  • other special feature[s]
  • black-and-white & color
  • 22.8 x 29.8 cm.
  • 39 pp.
  • edition size unknown
  • unsigned and unnumbered

Greater New York : New Art in New York Now

Terrence Accola, Manuel Acevedo, Ricci Albenda, Ghada Amer, Alfredo Arcia, Adriana Arenas, Michael Ashkin, Nicole Awai, Adam Baer, Tracey Baran, AidasKlaus Biesenbach, Alanna Heiss, Carolyn Christov-Bakargiev, Russell Haswell, Paulo Herkenhoff, Laura Hoptman, Deborah Wye, Bareikis, Yael Bartana, Jane Benson, Big Room, Jimbo Blachly, Jeremy Blake, Chakaia Booker, Jennifer Bornstein, Bob Braine, Michael Bramwell, Jesse Bransford, Steven Brower, Cecily Brown, Matthew Buckingham, Luca Buvoli, Elizabeth Campbell, Francis Cape, Yungshu Chao, Jennifer Cho, Seoungho Cho, Peter Coe, Diana Cooper, Jessica Craig-Martin, Jordan Crandall, E.V. Day, Lucky DeBellevue, Robert De Mar, Elena Del Rivero, Kelly Driscoll, David Dupuis, Aleksandar Duravcevic, Keith Edmier, Benjamin Edwards, Inka Essenhigh, Roe Ethridge, Rachel Feinstein, Teresita Fernández, William Fick, Jonah Freeman, David Galbraith, Teresa Seemann, Ellen Gallagher, Tim Gardner, Jeff Gaunt, Hope Ginsburg, Maria Elena González, Sam Gordon, Terence Gower, Toland Grinnell, Chris Hammerlein, Chris Hanson, Hendrika Sonnenberg, Sharon Harper, Rachel Horowitz, Timothy Hutchings, Emily Jacir, Julia Jacquette, Gareth James, Natalie Jeremijenko, Ernest Jolicoeur, Brad Kahlhamer, Sermin Kardestunger, Seth Kelly, Nina Katchadourian, Joachim Koester, Jeff Konigsberg, Udomsak Krisanamis, Alex Ku, Justine Kurland, Julian Laverdiere, Nikki Lee, Daniel Lefcourt, Paul Etienne Lincoln, Pia Lindman, Mark Lombardi, Charles Long, Michelle Lopez, Kristin Lucas, Giles Lyon, Johnna Macarthur, Caitlin Masley, Tony Matelli, Jennifer and Kevin McCoy, Julie Mehretu, John Menick, Deborah Mesa-Pelly, Arnaldo Morales, Shirin Neshat, Nils Norman, Olu Oguibe, Mick O'Shea, Roxy Paine, Erik Parker, Bruce Pearson, Sheila Pepe, David Perry, Elizabeth Peyton, Paul Pfeiffer, Michael Phelan, Richard Phillips, John Pilson, Rob Pruitt, Nadine Robinson, Ruth Root, Alex Ross, Lisa Ruyter, Calvin Seibert, Lawrence Seward, Jocelyn Shipley, Alyson Shotz, James Siena, Shahzia Sikander, Amy Sillman, Gwen Smith, Valeska Soares, Mi-Young Sohn, Dylan Stone, Do-Ho Suh, Jude Tallichet, Javier Tellez, Scott Teplin, Nicola Tyson, Piotr Uklanski, Cynthia Underwood, Mark Dean Veca, Anton Vidokle, Stephen Vitiello, Douglas Wada, Olav Westphalen, TJ Wilcox, Clara Williams, Karen Yasinsky, Lisa Yuskavage

Exhibition catalogue published in conjunction with the inaugural iteration of the quinquennial exhibition "Greater New York" held February 27 - May 14, 2000. The exhibition marked the first curatorial collaboration between PS. ... [details]

out of stock
Let us know if you’d like to be notified if this item becomes available: send us an email.
  • critical theory
  • wrappers
  • offset-printed
  • glue bound
  • black-and-white
  • 22.6 x 17.6 cm.
  • 596 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 0262511177
  • exhibition catalogue
  • boxed edition
  • ink jet printed
  • stitch bound
  • black-and-white & color
  • 23 x 14 cm.
  • [unpaginated]
  • edition size 100
  • unsigned and numbered

Annotations

[21 Volume Box Set]

Public-Holiday Project, Champion Fine Art, Rachel Foullon, Matt Keegan, Laura Kleger, Sara Greenberger, Adam Putnam, Alex Robbins, Halsey Rodman, Carter Mull, Michael Zahn, Rebecca Chamberlain, Christopher Chiappa, John Pilson, Jeroen Kooijmans, Guy Richards Smit, Michael Smith, William Wegman, Kelly Breslin, Meredith Danluck, Alice Könitz, Jeff Ono, Michelle Lopez, Kate Grinnan, Tom Texas Holmes, Slylar Haskard, Anna Sew Hoy, Joe Scanlan, Stephen Shore, Kelley Walker, Flora Wiegmann, Drew Heitzler, James Welling, Eric Wesley, Carey Young, Walead Beshty, Rose Kallal, Fia Backström, Michael Phelan, Jonah Freeman, Chuck Nanny, Adam McEwen, John Tremblay, Peter Coffin, Craig Kalpakjian, John Armleder, Cyprian Gaillard, Jan Groover, Kevin Landers, Olivier Mosset, Amy O'Neill, Kirsten Mosher, Jordan Wolfson, Samuel Casebolt, Candace Cole, Charles Goldman, Alix Lambert, Brian Bress, Jeff Burton, Corinna Schnitt, Monique van Genderen, Terra Fuller, Benjamin Butler, Suzanna Vapnek, Franklin Evans, Mari Eastman, Charles Irvin, Holly Coulis, Brian Belott, Bella Foster, Melissa Brown, Brendan Cass, Charlotta Westergren, Ellen Altfest, Tyson Reeder, Scott Reeder, Claudia Pena, Katherine Bernhardt, Nick Barna, Scott Cassidy, Tom Costa, Erik Frydenborg, Hannah Greely, Jesse Kamm, Kalup Donte Linzy, Shana Lutker, Avigail Moss, Stephen Rhodes, Joaquin Spengemann, Jonas Wood, Heather Cantrell, Rachel Corry, Drew Dominick, Ernest Gibson, Raffi Kalenderian, Shio Kusaka, Nate Lowman, Tony Matelli, Adrian Paules, Bert Rodriguez, Keith Vaughn, Matt Johnson, Jonas Nobel, Jessica Jackson Hutchins, Frederik Söderberg, Dan Torop, Roe Ethridge, Nina Andersson, Ron Jude, Kevin Landers, Aleksandra Mir, Andrew Rodgers, Chris Verene, Matt Ducklo, Huma Bhabha, Jennifer Sirey, Nancy Shaver, Susan Jennings, Jennifer Coates, David Shaw, Valetin Carron, Gardar Eide Einarsson, Fabrice Gygi, Alex Morrison, Mai-thu Perret, Aidas Bereikis, Bettina Funcke, Seth Price, Bill Saylor, Anke Weyer, Wendy White, Emily Sunblad, Josh Smith, Lizzie Bougatsos, Amy Granat, Elizabeth Valdez, Steven Parrino, Alex Kwartler, Macrae Semans, Molly Welch, Allyson Vieira, Jarrett Mellenbruch, Adam Raymont, Emily Miranda, Carol Bove, Christian Brown, Robert Medvedz, Jon Widman, Lorenzo de Los Angeles, Gordon Terry, Hisham Akira Bharoocha, Bjorn Copeland, Scott Wolniak, Andrew Jeffrey Wright, Reed Anderson, Larry Bamburg, Sylvie Fleury, Adam Frelin, Vincent Szarek

"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]

out of stock
Let us know if you’d like to be notified if this item becomes available: send us an email.
objects: 3
1