Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. ... [details]
Large-scale exhibition announcement / brochure published in conjunction with show held May 11 - July 4, 1971. Text by associate curator Jane Livingstone and senior curator Maurice Tuchman. Artists include John Alberty, Michael Asher, James Bradley, Vija Celmins, Ron Cooper, Mary Corse, Robert Cumming, David Deutsch, Guy Dill, Laddie John Dill, Frederick John Eversley, Jack Goldstein, Scott Grieger, Patrick Hogan, Richard Jackson, Peter Lodato, Alan McCollum, Barbara Munger, Peter Plagens, Joe Ray, Allen Ruppersberg, Wolfgang Stoerchle, John White, and William Wegman. ... [details]
Issue edited by Bice Curiger. Essays "Trickster Eva Hesse," by Ursula Panhans-Bühler; "Clockwork (Jon Kessler)," by Douglas Blau; "Stephan Balkenhol: The Figure as Witness," by Neal Benezra; "As Time goes by," by Vik Muniz; "Autonomous People," by Max Katz; "57 Pinguine," by Jean-Christophe Ammann; "Sophie Calle's Uncertainty Principle," by Luc Sante; "Postcards to Sophie Calle," by Joseph Grigely; "The Hyperfiction of Life and Death," by Patrick Frey; "Sophie Calle's and Gregory Shepard's Double Blind," by Robert Beck; "Dimensions variable: Liz Larner," by Kirby Gookin; "Rudolf Schwarzkogler," by László F. ... [details]
Exhibition catalogue published in conjunction with show held at Haus der Kunst, Munich, August 3 - December 10, 1997. Traveled to Nationalgalerie SMPK, Berlin, December 1997 - January 1998; Kunstmuseum Düsseldorf im Ehrenhof, February 1998; P. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eugenio Carmi. Edited by Peter Townsend. Contents include: "The State of the Arts," by Lord Eccles; "Correspondence;" "News and Notes;" "Anatomy of an Anomaly," by Jonathan Benthall; "A Joseph Beuys Primer," by Georg Jappe; "Sculpture at Sonsbeek," by Carel Blotkamp; "Signals for the Imagination," by Eugenio Carmi; "A procedural proposition: selection, repetition, extension, exchange," by Michael Craig-Martin; "Ensor's 'Entry of Christ into Brussels,'" by Frank Whitford; "New Public Galleries: Tel Aviv, Belfast, project for Les Halles," by J. ... [details]
Volume 1 of a catalogue raisonné of the work of artists (last names beginning in A - I) held in the Collection of Contemporary Art Fundación "la Caixa," Barcelona. Catalogue concept and essay by Maria de Corral, director. ... [details]
Documentation of conceptual or internationally-located projects curated by Seth Siegelaub with works by Carl Andre, Robert Barry, Daniel Buren, Jan Dibbets, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Richard Long, N. ... [details]
Set of three parts documenting the exhibition one-man "Yes Art : The Cultural Miracle" held at Fitzgerald Gallery, New York, October 19 - November 6, 1965 by Robert Cenedella. Exhibition was composed of 57 individual works attributed to various artists all pseudonyms for Cenedella. ... [details]
Pulp paperback science fiction book by Brian W. Aldiss. "Africa is the last frontier in a starving and overpopulated world. A world gone dry. A world of horror where literacy and thought are for machines only. ... [details]
Poster published in conjunction with a series of events called The Culture-In sponsored by The Aspen Center of Contemporary Art, held August 17 - 20, [1967].
Several weeks ago "hippies" had a "love" picnic for the people of Aspen.
...
[details]
