Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Fifth and final edition of the exhibition / collection catalogue designed by Wolf Vostell. Unusually paginated, approximately 550 pages consisting of 32 pages printed on thin Styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with numerous printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Complete set consisting of volumes number 1 [unnumbered], 2, 3, 4 and 5. All published versions. Exhibition / collection catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin Styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with numerous printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Exhibition catalogue published in conjunction with show held at Museum of Contemporary Art Chicago, Chicago, February 11 - June 3, 2012. Traveled to Institute of Contemporary Art/Boston, Boston, June 30 - September 30, 2012; Walker Art Center, Minneapolis, October 26, 2012 - January 27, 2013. ... [details]
"How did a small art college in Nova Scotia become the epicenter of art education--and to a large extent of the postmimimalist and conceptual art world itself--in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. ... [details]
Issue number 3 of Cercle et Carré. Essays "Poétique Nouvelle," by Michel Seuphor; "La Fonction Plastique Dans L'Architecture Future," by J.A. Gorin; "Architecture et Urbanisme en Tout," by Le Corbusier; "Réflexions sur L'Architecture," by Dr. ... [details]
Exhibition catalogue published in conjunction with show held June 24 - October 2, 1977. Essays by Lothar Romain, Bazon Brock, Karl Oskar Blase, Klaus Honnef, Evelyn Weiss, Manfred Schneckenburger, Arnold Bode, Wieland Schmied, and Lothar Lang. ... [details]
![Aspen Magazine in a Box [for Stephane Mallarmé] [aka : The Minimalism Issue]](/objects/images/s8909.jpg "Aspen Magazine in a Box [for Stephane Mallarmé] [aka : The Minimalism Issue]")
Aspen 5 + 6 for Stephane Mallarmeé [aka : The Minimalism Issue," is a boxed edition consisting of 28 numbered elements edited and designed by Brian O''''Doherty, with art direction by David Dalton and Lynn Letterman. ... [details]
Boxed reprint of the original periodical "Salon," a magazine with original contributions by contemporary artists. Published originally in 12 issues between April 1977 and October 1983. Edited by Gerhard Theewen. ... [details]
Second of five editions of the exhibition / collection catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with numerous printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
