Issue edited by John Irwin. Essays "Gorky," by Lawrence Alloway; "Viennese Expressionism," by Herschel B. Chipp; "The Plastic Art of the Yoruba," by Robert M. Ariss; "Otto Nebel," by Kate Steinitz; "Noland, Louis, Olitski in Canada," by Gerald E. ... [details]
Issue edited by John Irwin. Essays "Discussion: Diebenkorn, Mullican, Woelffer"; Richard Diebenkorn, Lee Mullican, and Emerson Woelffer in conversation with Frederick Wight, Gifford Phillips, "The Art of Easter Island," by David Gebhard; "The Graphic Art of Max Beckmann," by Stephan Lackner; "Three Los Angeles Artists," by John Coplans; "The Problem of the 'Original Print,'" by Virginia Allen. ... [details]
Issue edited by John Irwin. Essays "Kandinsky," by Hilton Kramer; "A Visit with Sam Rodia," by Kate T. Steinitz; "Rico Lebrun, An Interview," by Arthur Secunda; "Wally Hedrick," by John Coplans; "Morris Graves," by Vic Smith; "Marin-Wyeth-Hopper at the University of Arizona," by Sheldon Reich. ... [details]
Issue edited by John Irwin. Essays "Joan Brown," by Philip Leider; "Tapies," by Don Factor; "Four Drawings," by Frank Lobdell; "Three Major Group Exhibitions," by John Coplans, Philip Leider; "Jacques Lipchitz," by Gerald Nordland; "The Santa Barbara Museum Drawing Collection," by Alfred Moir. ... [details]
Issue edited by Philip Leider. Essays "Further Observations on the Pop Phenomenon," by Sidney Tillim; "Larry Rivers, Stuart Davis and Slang Idiom," by Max Kozloff; "Iranian Art," by Palmer French; "How to Murder an Avant Garde," by Barbara Rose; "Jules Olitski's New Paintings," by Michael Fried. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Peter Stroud," by John Coplans; "Joe Goode and the Common Object," by Philip Leider; "Matisse and the Strategy of Decoration," by Nancy Marmer; "Three Statements," by Ad Reinhardt; "The Happenings are Dead - Long Live the Happening," by Allan Kaprow; "The Inert and the Frenetic," by Max Kozloff. ... [details]
Issue edited by Philip Leider. Essays "Gemini LTD: A New Lithography Studio in Los Angeles," by Fidel A. Danieli; "A Central European Miscellany," by Edward F. Fry; " "Joseph Cornell," by Alexandra Cortesi; "Darby Bannard's New Work," by Rosalind Krauss; "Color, Paint and Present-Day Painting," by Darby Bannard; "Edward Kienholz's 'Barney's Beanery,'" by Sidney Tillim; "A Decade of Edward Kienholz," by Maurice Tuchman. ... [details]
Issue edited by Philip Leider. Essays "Philip Pearlstein and the New Philistinism," by Sidney Tillim; "Allusion and Illusion in Donald Judd," by Rosalind Krauss; "A Georgia O'Keeffe Retrospective in Texas," by Peter Plagens; "James Dine Designs Sets for 'A Midsummer Night's Dream,'" by David Zack; "New Forms in Architecture," by John Jacobus; "Looking at Kinetic Sculpture," by Philip Leider. ... [details]
Exhibition catalogue published in conjunction with show held at the Neues Museum Weserburg Bremen, Bremen, February - May 2001. Traveled to the Centre National de L'Estampe et de L'Art Imprimé, Chatou, June - September, 2001; Museu d'Art Contemporanei de Barcelona, Barcelona, November 2001 - January, 2002; Mednarodni Graficni Likovni Center, Ljubljana, February - March 2002; Muzej Suvremene Umjetnosti, Zagreb, April - May, 2002; Museu Serralves, Porto, July - September, 2002; Städtische Galerie, Erlangen, October - November, 2002. ... [details]
Exacting re-creation (with corrections) of the first edition of An Anthology, which was originally published in 1963. First edition introduced Henry Flynt's theory of "Concept Art," which he rewrote for this edition. ... [details]
