"This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. ... [details]
"Avalanche" magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator, and Béar an underground magazine editor who had recently moved to New York from London. ... [details]
Avalanche magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from London. ... [details]
A history of the ground breaking periodical written by it's editors, Willoughby Sharp and Liza Bear. From 1970 - 1976 Sharp and Bear put together a lively magazine that featured interviews, reviews, overviews and photo-documentation of some of the most important art of the period -- from Vito Acconci to Lawrence Weiner incorporating Carl Andre, Joseph Beuys, Robert Smithson, Richard Serra, Bruce Nauman, Jackie Winsor, Dennis Oppenheim, William Wegman, Terry Fox, and many others as well. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
Poster published in conjunction with "Artists Make Toys" held at The Clocktower, New York, January 1 - February 15, 1975. Image features a topless Hannah Wilke in a bed with a fully clothed Claes Oldenburg. ... [details]
Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, October 16 - November 11, 1984. Traveled to Ackland Art Museum, University of North Carolina, Chapel Hill, January 26 - March 3, 1985; Everhart Museum, Scranton, Pennsylvania, April 27 - June 8, 1985; Grey Art Gallery and Study Center, New York University, July 9 - August 26, 1985; and Museum of Art, Fort Lauderdale, Florida, March 5 - April 16, 1986. ... [details]
Extensive book of critical texts by and about Sol LeWitt edited by Adachiara Zevi including "Sol LeWitt in Two and Three Dimensions" by Zevi; "Texts by Sol LeWitt," which includes LeWitt's texts "I Find it Difficult to Write a Statement. ... [details]
A tabloid style artists' project based on notions of exchange between Huebler and fifty artists. Text from cover: "50 signed original copies of this statement, (priced at $150 each), will constitute the only from of this piece for an indeterminate period of time. ... [details]
Exhibition catalogue published in conjunction with show held April 10 - August 25, 1970. Organized and catalogue compiled by Donald Karshan. Incorporates statements by conceptual artists in the show including Joseph Kosuth, Frederick Barthelme, On Kawara, Christine Kozlov, Terry Atkinson, Michael Baldwin, David Bainbridge, Harold Hurrell, Ian Burn, Roger Cutforth, Meld Ramsden, Bruce Nauman, Dennis Oppenheim, Stephen Kaltenbach, Jan Dibbets, Douglas Huebler, Iain Baxter, Robert Barry, Hans Haacke, Daniel Buren, Bernar Venet, Ian WIlson, Mel Bochner, Saul Ostrow, Lawrence Weiner, Ed Ruscha, Donald Burgy, James Lee Byars, and Adrian Piper. ... [details]