"The fashion for 'art and revolution' continues, and so does the effort to prove, more or less a priori, that art has nothing to do with politics. Mr. Clark has written a study of the art of Gustave Courbet in the years directly after the 1848 revolution. ... [details]
Exhibition catalogue published in conjunction with show held at Daimler Contemporary, Berlin, Germany, March 31 - September 9, 2012. Edited by Renate Wiehager, with text on minimalist tendencies in German architecture, literature, film and design by Sandra Brechtelt, Nadine Brüggebors, Susannah Cremer-Bermbach, Norbert Grob, Dorothée Henschel, Paul Kaiser, Miriam Schoofs, Gregor Stemmrich, Renate Wiehager. ... [details]
Anthology of critical texts by Serge Guilbaut, Jean Baudrillard, John O'Brian, Benjamin H.D. Buchloh, Timothy J. Clark, Thomas Crow, Thierry de Duve, Françoise-Marc Gagnon, John-Franklin Koenig, Lary May, Laurie J. ... [details]
Exhibition catalogue published in conjunction with show held June 16 - September 19, 2004. "Seurat and the Makin gof 'La Grande Jatte' provides an in-depth exploration of one of the world's most renowned paintings, A Sunday on La Grande Jatte - 1884 by Georges Suerat. ... [details]
July / August 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "What is Reality? The Theme of Documenta 5," by Georg Jappe; "This Spring in West Germany," by Robert Kudielka; "Science in Art," by Marcello Salvadori; "Correspondence;" "News and Notes;" "Experimental Art: Stubbs to Sonfist," by Jonathan Benthall; "Sydney: Art in the Universities," by Donald Brook; "'True Patriot Love': Joyce Wieland at the National Gallery of Canada;" "Bridget Riley," by David Thompson; "Three Shows at the Hayward: Hodler and Böcklin," by Frank Whitford and "Henri Laurens," by William Tucker; "Letter from Bucharest," by Radu Varia; "A Tail of Two Exhibitions," by Barbara Reise; "Background to the Foreground: The Haacke Exhibition History," by Edward Fry and Thomas M. ... [details]
November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP; "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. [details]
Critical theory text discussing themes and origins of contemporary art. The title, "Synnyt," refers to the Finnish word meaning 'birth' and 'to be born,' and also to Finnish mythology, in which the word alluded to a story that "explained the cause or origin of a given creature, disease or other phenomenon and it was believed that knowledge of the true 'synty' or origin gave its possessor power over the phenomenon in question. ... [details]
First edition copy of Larry Clark's second artists' book following "Tulsa." Similarly comprised of autobiographical photographs surround Clark's life and times. Includes photographs, newspaper clippings, arrest records, and texts by Clark providing context to the narrative. ... [details]
"In the splendid tradition of Kenneth Clark's Civilisation and Jacob Bronowski's The Ascent of Man, here is a magnificent account - authoritative, lively, richly and beautifully illustrated - of the hundred-year history of modern art. ... [details]
"A transcription of a series of six symposia in music and visual art, event art, art and architecture, environmental art, publica works and conceptual art. The panelists included Edited and with a foreword by Marilyn Bedford and Jerry Herman. ... [details]
