![Journal [LAICA Journal]](/objects/images/s39525.jpg "Journal [LAICA Journal]")
Winter 1986 issue of JOURNAL, edited by Lane Relyea. Contents include "Travelog: If You Die in the University Hospital," by Michael Lesy; "Seduction and Submission: A Study fo Ecstasy," edited by Connie Fitzsimons, with contributions and projects by Jochen Gerz, William S. ... [details]
Exhibition catalogue published in conjunction with show held November 23, 1985 - January 19, 1986. Curated by William Olander. Foreword by Marcia Tucker. Essays by William Olander, David Deitcher, and Abigail Solomon-Godeau. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Single sided flyer / announcement published in conjunction with show held December 16, 1975 - January 24, 1976. Printed in green and red, suggesting 3D, of snapshots of Nauman's studio developing his "Forced Perspective" sculpture and artist with Konrad Fischer in Fischer's gallery's office. [details]
Issue number 2 of the quarterly periodical Avalanche, published Winter 1971. Cover features Bruce Nauman. Contents: "Rumbles," featuring Bas Jan Ader, John Perreault, Vito Acconci, and Paul Kos; "Interview: Bruce Nauman"; "Interview: Terry Fox"; "Klaus Rinke Retrospective"; "Documents: John Van Saun"; "Documents: Dennis Oppenheim"; "Documents: Richard Serra"; "Yves Klein," by Shunk-Kender; "King for a Day," by Bruce McLean; "112 Greene Street," by Alan Saret and Jeffrey Lew; "Mrs. ... [details]
Exhibition catalogue published in conjunction with shows held in 70 different New York City galleries, the sales of which benefited the American Foundation for AIDS Research. Text by Robert Rosenblum and Matilde Krim, Ph. ... [details]
Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S. ... [details]
Annual periodical edited by William Seitz, "Contemporary Sculpture : Arts Yearbook 8," is a compendium of essays on sculpture of the early 1960s. This volume contains the first publication of Donald Judd's seminal essay "Specific Objects," as well as Judd's review of the Howard and Jean Lipman Collection. ... [details]
Brochure / program published in conjunction with The Bridge Theatre's 1966 season. Productions included "Woyzeck," written by Georg Buchner, directed by Wilford Leach; and "God Wants What Men Want," written and directed by Arthur Sainer, with a continuous collage score by John Herbert McDowell. ... [details]
![A.W.C. : Open Hearing / An Open Public Hearing on the Subject : What Should be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers Coalition [AWC]](/objects/images/s14833.jpg "A.W.C. : Open Hearing / An Open Public Hearing on the Subject : What Should be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers Coalition [AWC]")
The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
