Issue edited by Joseph Masheck. Essays "Robert Irwin'S Recent Work," by Edward Levine; "Peter Hutchinson: From Earth Art to Story Art," by Eric Cameron; "The Man in the Crowd," by Leo Rubinfien; "Technique and Meaning: The Example of Andean Textiles," by Barbara Blum; "Drawing Toward Architectural Drawings," by James Hoekema; "Andy Warhol's 'Folk and Funk,'" by John Brooks; "The New York Film Festival: A Cultural Landmark?" by Regina Cornwell; "Tepid Yesterdays," by Carrie Rickey; "David Hare's 'Cronus' Series," by Deborah Perlberg. ... [details]
Issue edited by Joseph Masheck. Essays "Johns the Pessimist," by Rolf-Dieter Herrmann; "Cézanne on Solids and Spaces," by Theodore Reff; "Back on the Material: Rodchenko's Photographic Ideology," by Andréi B. ... [details]
Compendium of transcripts and texts based on "Open Circuits : An International Conference on the Future of Television," which was organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City, in January 1974. ... [details]
A monograph honoring the twenty ten years of the Leo Castelli Gallery and an exhibition celebrating the anniversary. Edited by Susan Brundage and Janelle Reiring. Artists in the publication include Andy Warhol, Richard Artschwager, Robert Barry, Lee Bontecou, Peter Campus, John Chamberlain, Nassos Daphnis, Hanne Darboven, Ron Davis, Jan Dibbets, Dan Flavin, Laura Grisi, Douglas Huebler, Jasper Johns, Donald Judd, Ellsworth Kelly, Joseph Kosuth, Roy Lichtenstein, Robert Morris, Bruce Nauman, Kenneth Noland, Claes Oldenburg, Frank Owen, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Salvatore Scarpitta, Richard Serra, Keith Sonnier, Frank Stella, Cy Twombly, Paul Waldman, and Lawrence Weiner. ... [details]
Exhibition catalogue published in conjunction with show held February 7 - March 6, 1976. Introduction by SJ [Sidney Janis]. Artists include Berenice Abbott, Robert Adelman, Diane Arbus, R. Ardos, Richard Avedon, Cecil Beaton, Charles Bouchard, Constantin Brancusi, Bill Brandt, Brassaï, Braun & Cie, Elisa Breton, Dan Budnick, Richard Burkhardt, René Burri, Cornell Capa, Robert Capa, Etienne Carjat, Henri Cartier-Bresson, Imogen Cunningham, Edgar Degas, Dena, Robert Descharnes, Pepe Diniz, Robert Doisneau, David Douglas Duncan, Frederick H. ... [details]
Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)"; "Conversation with Brice Marden. ... [details]
Exhibition catalogue published in conjunction with show held January 20 - April 9, 1975. Curated by John Hanhardt, Barbara Haskell, James Monte, Elke Solomon, and Marcia Tucker. Foreward by Tom Armstrong, director of the Whitney Museum. ... [details]
Small-scale exhibition catalogue / mini-catalogue raisonné for touring exhibition of Eward Ruscha's prints and artists' books. Design, by Andrew Barron, mimics elements of Ruscha's own artists' books, including cover art from "A Few Palm Trees" and accordion fold nature of "Every Building On The Sunset Strip. ... [details]
Exhibition catalogue and series of letters to young women artists published in conjunction with the Feminist Art Festival at the California Institute of the Arts, Valencia, 1974. Edited by Miriam Schapiro, Sherry Brody, Molly Rhodes, and Lelia Amalfitano. ... [details]
Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]