Issues number two through six of Edizione Cenobio Visualità. Issue two edited by Bernar Venet, 1980. Essay by Bernar Vernet. Artists include Bernar Venet, Alexander Rodchenko, Kazimir Malevitch, Wladyslaw Strzeminski, Katarzyna Kobro, Theo van Doesburg, Georges Vantongerloo, Richard Paul Lohse, Max Bill, Sol LeWitt, Dan Flavin and Donald Judd. ... [details]
Issue edited by Ingrid Sischy. Essays "Ulrich Rückriem: The Monumental Ritual," by Ted Castle; "The 1979 Dime Store Figurine," by Mike Glier; "The Barren Flowers of Evil," by Komar and Melamid; "Towards a Theory/Practice of Painting," by Paul Rodgers; "Urban Nature: The Work of Maria Nordman," by Germano Celant; "Ian Wilson, For Example: Texts on Words," by René Denizot. ... [details]
Artists' book with covers by Sol LeWitt and poems / texts by Paul Celan, Pierre Joris, Harry Gilonis, Jerome Rothenberg, Edwin Morgan, Anselm Hollo, Nuala Ní Dhomhnaill. Publication date if this book is frequently incorrectly stated as being 1977. ... [details]
Second edition of the exhibition catalogue originally published in conjunction with a show of artists' books held at Nigel Greenwood Inc. Ltd., London, September 20 - October 14, 1972. Extensive essay by Celant. ... [details]
Issue number 7 of Extensions. Edited by Suzanne Zavrian and Joachim Neugroschel with contributions by Paul Celan, Andrei Codrescu, Jean Daive, Paul Grillo, Jerred Metz, Micael O'Brien, Raphael Oliva, David Shapiro, M. ... [details]
Issue edited by Bice Curiger. Essays "Imi Knoebel: The Surveyal Of Sensation," by Max Wechsler; "Friendship Is Unstable Equilibrium," by Patrick Frey; "Fischli/Weiss In Appearance," by Germano Celant; "The Path Of Most Resistance," by Karen Marta; "Peter Fischli And David Weiss," by Bernhard Johannes Blume; "The Critic As Four-Eyed Peg Leg," by Jeanne Silverthorne; "(Dis)ordered Artifact In The Art Of Fischli/Weiss," by Sidra Stich; "Matt Mullican," by Paul Groot; "Real Abstract Theater: The Wooster Group," by Kathy Halbreich; "Les Infos Du Paradis: The Australian Biennale 1988," by Dan Cameron; "Varia," by unattributed artists; "Cumulus From America," by Ronald Jones; "Cumulus Aus Europa," by Reiner Speck; "Balkon: Down The Airshaft," by Richard Flood. ... [details]
Issue edited by Ingrid Sischy. Essays "Tony Cragg and Industrial Platonism," by Germano Celant; "The New (?) Expressionism: Art as Damaged Goods," by Donald Kuspit; "A Project," by A.R. Penck; "Surrendering to Presence: Robert Irwin's Esthetic Integration," by Melinda Wortz; "Of Mice and Folly in 'The Garden of Delights,'" by Nicolas Calas; "Books: Kelly Wise on 'Slave to Beauty,'" by Kelly Wise; Books: Charles Hagen on 'Photodiscovery,'" by Charles Hagen; "Max Kozloff on 'Nicaragua,' 'Falkland Road,' and 'Rajasthan,'" by Max Kozloff. ... [details]
Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. ... [details]
Issue edited by Ingrid Sischy. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location. Robert Ryman's Studio: A Wall of Reminders," by Amy Baker Sandback; "Ground Up. Science Fiction, Westerns, Odysseys, Romance, Head-Lines, Obits: Narrative Architects Design the City as it Lives, Stories on Top of Stories, A Plot on Every Plot," by Herbert Muschamp; "Remote Control: Television, the Permanent Guest - We'll Be Right Back," by Barbara Kruger; "Modern Life. ... [details]