Issue edited by John Irwin. Essays "Gorky," by Lawrence Alloway; "Viennese Expressionism," by Herschel B. Chipp; "The Plastic Art of the Yoruba," by Robert M. Ariss; "Otto Nebel," by Kate Steinitz; "Noland, Louis, Olitski in Canada," by Gerald E. ... [details]
Issue edited by John Irwin. Essays "Discussion: Diebenkorn, Mullican, Woelffer"; Richard Diebenkorn, Lee Mullican, and Emerson Woelffer in conversation with Frederick Wight, Gifford Phillips, "The Art of Easter Island," by David Gebhard; "The Graphic Art of Max Beckmann," by Stephan Lackner; "Three Los Angeles Artists," by John Coplans; "The Problem of the 'Original Print,'" by Virginia Allen. ... [details]
Issue edited by John Irwin. Essays "Kandinsky," by Hilton Kramer; "A Visit with Sam Rodia," by Kate T. Steinitz; "Rico Lebrun, An Interview," by Arthur Secunda; "Wally Hedrick," by John Coplans; "Morris Graves," by Vic Smith; "Marin-Wyeth-Hopper at the University of Arizona," by Sheldon Reich. ... [details]
Issue edited by John Irwin. Essays "Joan Brown," by Philip Leider; "Tapies," by Don Factor; "Four Drawings," by Frank Lobdell; "Three Major Group Exhibitions," by John Coplans, Philip Leider; "Jacques Lipchitz," by Gerald Nordland; "The Santa Barbara Museum Drawing Collection," by Alfred Moir. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Peter Stroud," by John Coplans; "Joe Goode and the Common Object," by Philip Leider; "Matisse and the Strategy of Decoration," by Nancy Marmer; "Three Statements," by Ad Reinhardt; "The Happenings are Dead - Long Live the Happening," by Allan Kaprow; "The Inert and the Frenetic," by Max Kozloff. ... [details]
Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
Exhibition catalogue published in conjunction with show held March 15 - May 22, 1983. Curated by John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims. Featured artists are Richard Artschwager, John Baldessari, Jean Michel Basquiat, Ericka Beckmann, James Benning, Jonathan Borofsky, Louise Bourgeois, Robert Breer, Ellen Brooks, Barbara Buckner, Bruce Charlesworth, Robert Colescott, Bruce Conner, John Coplans, Eileen Cowin, William Crozier, Vivienne Dick, Juan Downey, Ken Feingold, R. ... [details]
Comprehensive history of the founding and first decade of Artforum from 1962 through 1974. Composed of interviews conducted by Amy Newman between 1963 and 1999. Contributors include John Baldessari, Richard Bellamy, Lynda Benglis, Maurice Berger, Irving Blum, Mel Bochner, Chuck Close, John Coplans, Charles Cowles, Michael Fried, Serge Guilbaut, Nancy Holt, Max Kozloff, Hilton Kramer, Rosalind E. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Exhibition catalogue / monograph published in conjunction with show held at Museum of Contemporary Art, Los Angeles, November 13, 1985 - February 9, 1986. Includes interview between James Turrell and Julia Brown. ... [details]
